King Porter Stomp - Jelly Roll Morton - Piano Solo - 1926 скачать в хорошем качестве

King Porter Stomp - Jelly Roll Morton - Piano Solo - 1926

"King Porter Stomp" is a swing-era jazz standard by Jelly Roll Morton. The composition is considered to be important in the development of jazz. According to Jelly Roll Morton, the tune was composed in 1905. Morton first recorded the number in 1923 as a piano solo, but did not file a copyright on the tune until 1924. That year, Morton recorded a duet version with Joe "King" Oliver on cornet. Morton said that he had actually written the tune almost 20 years earlier, and that it was named after his friend and fellow pianist Porter King. On July 1, 1935, Benny Goodman and his orchestra recorded Fletcher Henderson's arrangement of the number, backed with "Sometimes I'm Happy". It was released July 31 as Victor 25090, and became a sizeable hit and a standard of the Big Band era. Goodman's recording featured the well known trumpeter of the day Bunny Berigan. Fletcher Henderson had recorded his own arrangement several times with his own band during the 1920s and early 1930s. Harry James recorded a version in 1939 on Brunswick 8366. Other big bands also recorded the tune, as did more traditional jazz groups. Late 1960s "space-age" bandleader Pat Williams recorded the song on his 1968 Verve LP Shades of Today. Ferdinand Joseph LaMothe (October 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer who started his career in New Orleans, Louisiana. Widely recognized as a pivotal figure in early jazz, Morton is perhaps most notable as jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was the first published jazz composition. Morton also wrote the standards "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last a tribute to New Orleans musicians from the turn of the 20th century.