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With FW12 the Axe FX II has come a long way. There are a lot more amps to choose from for high gain tones and it's sounding better than ever. More than a year has passed since my last showcase so it was time for an update. Hope you enjoy and have fun watching. \m/ http://www.kostein.com for all the presets. If you enjoy this video and like my presets please share this with anyone that might be somewhat interested in guitar playing/tone/etc. I spend a lot of time making these videos and tweaking the presets. If you find them to be valuable and would like to contribute then you can donate something to my Paypal donation account which I just opened for my "Getting a Decent Bass" fund. I've set up a donation button on my blog for this. Timestamps for all the models: 0:00 Intro 01:40 EVH 5150 III 02:53 Splawn Quickrod 04:05 Mesa Boogie Mark IV 05:19 Diezel Herbert 06:32 Orange Rockerverb 50 07:45 FAS Modern II 08:59 Custom Audio Electronics 3+ 10:12 Marshall AFD100 11:31 Friedman Brown Eye 12:50 "Intermission" 13:27 Bogner Uberschall 14:40 Cameron CVV100 15:52 Peavey 6505+ 17:05 Fryette Deliverance 60 18:18 Carol-Ann Triptik 19:31 FAS Modern 20:45 Komet Concorde 21:58 Thordendal Custom 23:12 Marshall JCM800 24:26 Mesa Boogie Dual Rectifier 25:42 "Interlude" 26:08 Diezel VH4 27:23 FAS 6160 28:38 Carvin Legacy VL-100 29:51 Soldano SLO100 31:06 Marshall JVM410 32:20 Splawn Nitro 33:33 Engl Powerball 34:46 Cameron Atomica 36:00 Peavey 5150 37:12 - Credits? DISCLAIMER My goal with this vid is to show merely a glimpse of high gain tones that the Axe can do now with all these different amp models just right out of the box. To achieve this, I tried getting the best possible tone (to my ears) with each amp and I used whatever means (drives/eq/cab IRS/etc) I deemed necessary to get there. My goal is not to compare these amps against one another even though that is kind of inevitable. If you own an Axe, you can have all of these tones and a lot more so I don't really see the point of comparing. Also my goal is not to try and get as close to the real amps as possible because I've simply ever owned any of these amps so I have no clue how they sound. There will probably be some people arguing that I should have maybe done it in a different way, for example: using the same cab, not using drives, all settings at noon, etc. That kind of thing is not for me. I strive to get the best possible tone to my ears and I use whatever can to get there. At the end of the day, that's what really matters, right?