Patrik Pietschmann - MICROCHIP (Piano Version) скачать в хорошем качестве

Patrik Pietschmann - MICROCHIP (Piano Version)

🎧 Synth Version ► https://lnk.to/R34PI7 🎵 Sheet Music ► https://www.musicnotes.com/l/hjRKm 🎹 Learn piano with flowkey ► http://tinyurl.com/patrik-flowkey 🎧 All My Music is Available Here 🎧 ► Spotify: https://lnk.to/PP_Spotify ► Apple Music: https://lnk.to/PP_AppleMusic ► Amazon Music: https://lnk.to/PP_AmazonMusic ► Deezer: https://lnk.to/PP_Deezer ► Tidal: https://lnk.to/PP_Tidal ► Pandora: https://lnk.to/PP_Pandora MICROCHIP - Patrik Pietschmann (Piano Version) Composed by Patrik Pietschmann With this composition I would like to take a new direction. Because one question that has been on my mind recently is how I manage to lower the level of difficulty of my piano versions and still do justice to the original (be it my own orchestral composition or the music of another composer). If my piano arrangement has a certain complexity, it is only in order to transfer the various musical layers of an existing orchestral composition to the piano while retaining the depth and character of the original piece. However, this has also meant that I have often been quite exhausted in my own recent compositions and have also asked myself who is actually supposed to play it. I'm pretty sure that there are some of you who are very talented and like to cut their teeth on virtuoso piano pieces. But I would like to give even more pianists out there the opportunity to play my compositions on the piano. And it would also be better for me to concentrate even more on the creative and less on the technical part of the music. My solution: instead of making a piano version out of the orchestral version as before, this time I made the piano version first and then the orchestral version out of it. Although the term "orchestral version" would no longer be entirely appropriate here. This time I immersed myself completely in the world of electronic sounds and wanted to find out which sounds I could create using only a synthesizer. I realized that a synthesizer can take over many of the functions of a traditional orchestra, but it can't replace it completely. The strength of the synthesizer lies in its ability to create completely new sounds. That's why I see the future of music more in the combination of both sound worlds, the electronic and the traditional, in a hybrid solution, so to speak. In a figurative sense, I see a similar role for artificial intelligence in the future, which will expand the abilities and expressive possibilities of humans and not simply replace them. I found the title "Microchip" appropriate not only in view of my intensive involvement with electronic sounds and synthesizers. Since my youth, I have had a special enthusiasm for computers and the use of technology in music. I am currently following the new applications of artificial intelligence with excitement. The fact that I can share my music with you is mainly thanks to an invention by the American engineer Jack Kilby in 1958: the microchip. Without this invention, the digital world as we know it today would not exist. The fact that there is room for several hundred billion transistors on a microchip and that the material for it is basically just sand makes me realize once again what clever people are capable of.