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Kamal Haasan and S. Shankar Team Up After 28 Years | Hindustani 2 (Indian 2)

In this conversation with Anupama Chopra, Kamal Haasan and S. Shankar, both actor and director of Hindustani 2 (Indian 2,) talk in detail about the film’s world. They throw light upon how old Mr. Haasan’s character Senapathy would now be, in the film, and what motivates them to telling such an extravagant yet rooted story 28 years after the release of its prequel. They talk about what they admire most about each other, the use of prosthetics, and breaking the film down to two parts. We then hear them drop hints on a couple of their future projects as well. #KamalHaasan #Indian2 #Hindustani2 00:00 - In conversation with Kamal Haasan and S. Shankar 01:19 - Crafting Hindustani 2 and its relevance in today’s age 03:05 - Their journey together as artists and filmmakers 06:58 - Crafting the character “Senapathy” 10:24 - Taking inspiration from Martial Arts mastery 15:02 - Coping up with the losses 19:11 - Indulging in new challenges even at this age 24:03 - Decision to make a sequel 27:01 - Putting out the right message in front of people 30:47 - Shared passion for Cinema 37:20 - Developing images that stand out 39:40 - Their Upcoming Projects Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On:   / filmcompanion     / filmcompanion     / filmcompanion   About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.