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Recorded live on September 24, 2004 at the Festhalle Frankfurt, Germany from Rush's R30: 30th Anniversary Tour. This is from the Blu-ray version of R30, which was released on December 8, 2009 in the US, and in late 2013 in Europe. "Earthshine" is the ninth track from the band's seventeenth studio album "Vapor Trails." They were joined by English producer Paul Northfield, who had worked on several previous Rush albums and assisted in the arrangement to some tracks when the group felt stuck. The album was recorded from January through November, 2001 and released on May 14, 2002. It was their first studio release since Test for Echo (1996), the longest gap between two Rush albums. (After the Test For Echo tour finished in July 1997, the group entered an extended hiatus following personal tragedies suffered by drummer and lyricist Neil Peart.) Peart uses the lyric to describe an astronomical phenomenon known as earthshine, an astronomic phenomena first described by Leonardo Da Vinci in the Codex Leicester between 1506 and 1510. Earthshine is the term describing the sunlight which is reflected by the earth to illuminate the moon, which happens every 29.5 Earth-days. As Peart's lyrics explain: "On certain nights/When the angles are right/And the moon is a slender crescent" the sun's light reflected by the Earth gives a soft illumination to what would have been the dark portion of the moon. “Earthshine” is reflected earthlight visible on the moon’s night side, giving the portion of the moon bathed in earthshine a ghostly glow. Upon seeing earthshine, you would see a regular crescent moon, but with the rest of the moon, which is normally obscured, visible in a ghostly light. (“Its circle shows / In a ghostly glow / Of earthly luminescence.”) The idea of the pale image, rendered visible not by its own light but by the reflected light of another body, signifies how one can be visible to others but only as a pale facsimile in the same way that’s referenced in “A Secret Touch,” in which you’re a part of what’s going on, but because of your experience, you’re also apart from what’s going on.—Rob Freedman, Rush Vault The earth is therefore illuminated "first hand" by the sun. The moon is illuminated "second hand" by the earth. The lyricist is then illuminated "third hand" by the moon. (The "third hand grace") Aside from the beauty of the phenomenon itself the lyric briefly touches on earthshine as a metaphor: "Pale facsimile/Like what others see/When they look in my direction." Like the ghostly moon, our outward appearance only gives a vague impression of who we really are. The final verse edges into the realms of an extraordinarily subtle love song. The narrator regards themselves as the moon, whose face, illuminated by the sun (by "third-hand" light), glorifies the star, without whom there would be no light at all. Despite the beauty of the ghostly moon, it is the modest and unseen sun that provides the beauty. The moon relies on the sun for illumination as the narrator relies on others for inspiration. ("Reflected light/To another's sight/And the moon tells a lover's story/My borrowed face/And my third-hand grace/Only reflect your glory") “‘Earthshine’ was the first song we wrote for Vapor Trails but was completely rewritten. Even the lyrics were changed around. Musically, it was a completely different song from what it was, and it was a complete song in the beginning. We had all the parts, the lyrics, we worked it out. But there was something about it that just didn’t knock us out.” —Alex in Contents Under Pressure “‘Earthshine’ was just not right in its original incarnation. The lyrics were very interesting, and very evocative, but I didn’t feel in the end—and Alex agreed—that the music really equaled what was there lyrically. We were selling the lyrics short. So we had this jam music that we really were excited about, especially this riff, this main riff, that became the verses for Earthshine, and I rebuilt the song vocally around that riff. Then we proceed to just carry on with it, and before we knew it we had a whole new song that was really exciting.” —Geddy Lee, Rockline, May 13, 2002 Earthshine was the first song that we wrote. At the time we both felt that we weren't going to be too precious about it, it was part of that early period that we went through with the writing, about 5 months into the project I guess? Six months? We reviewed the song and decided to completely rewrite it. There were some lyrical changes, but 100% of the music was thrown into the garbage, and we started over again with it. Which was really a testament to working this way without a deadline, and how important it was not to have a deadline with this record." —Alex Lifeson, Rockline, May 13, 2002 *For the first time since Caress of Steel (1975), on this album the group did not incorporate a keyboard into their music. #MysticRhythmsLive