PEK Solo, A Quartet of PEKs – Schematic Abstractions for the Clarinet Family Shorty 12 скачать в хорошем качестве

PEK Solo, A Quartet of PEKs – Schematic Abstractions for the Clarinet Family Shorty 12

PEK Solo, A Quartet of PEKs – Schematic Abstractions for the Clarinet Family YouTube:    • PEK Solo, A Quartet of PEKs  - Schematic A...   Evil Clown Album Page https://www.evilclown.rocks/pek-solo-... Evil Clown Facebook site   / giantevilclown   bandcamp: https://peksolo.bandcamp.com/album/sc... squidco: https://www.squidco.com/miva/merchant... soundcloud:   / pek-solo-schematic-abstractions   Evil Clown 9252 Evil Clown Headquarters, Waltham MA August 22, 2020 Schematic Abstractions for the Clarinet Family – 1:00:42 PEK –- Clarinets (piccolo, B flat, G Albert, alto, Bass, contralto, contrabass) PEK SOLO / A QUARTET OF PEKS Schematic Abstractions for the Clarinet Family (Evil Clown 9252, USA) Dave PEK is one of contemporary music’s most adept multi-instrumentalists. His facility on a legion of soundmakers, from his cherished saxophones, clarinets, and other horns, to a dizzying array of percussives and electronic modules, is nothing short of astonishing; compiling a cursory laundry list of his vast collection is not only a fool’s gesture but fails to grasp the enormity of an artistic discipline that allows it all to be utilized so inventively. On this, another of his ‘quartet’ outings where he keenly sifts, layers, and multitracks himself in the ultimate act of self-accompaniment, PEK applies the same rigor to a whole host of subsets from the clarinet family as he has with his similarly-themed saxophone exploits. The result? His battery of alto, piccolo, B-flat, alto, bass, contralto, etc. weave sinuous lines around each other like a cobra writhing before a snakecharmer. At moments, the various tones thrust and parry across carefully delineated battle lines, then PEK takes a ‘solo’ that finds him bending notes while folding space, counterbalanced by an ingenious use of periodically poised silences. The effect can be both hallucinatory and exhilarating, temporarily derailing the equilibrium as the notes overwhelm your inner ear canals with viral totality. It’s an imagistic swarm of moods, modes, and modulations, prickly clusters of bristling harmonics emerging in complex field densities that never coalesce the same way twice. Endlessly fascinating, surrendering completely to the immediacy of PEK’s mutating soundworld is the only way to bask in its glorious, submersive depths. Darren Bergstein, DMG