Hérold: Clog Dance // ROYAL SCOTTISH NATIONAL ORCHESTRA скачать в хорошем качестве

Hérold: Clog Dance // ROYAL SCOTTISH NATIONAL ORCHESTRA

Learn to play the songs you love: https://go.flowkey.com/czarx Royal Scottish National Orchestra Conducted by Peter Oundjian Music by Ferdinand Hérold (arr. Lanchbery) La Fille mal gardée ("The Poorly Guarded Girl") is a comic ballet presented in two acts, inspired by Pierre-Antoine Baudouin's 1789 painting, La réprimande/Une jeune fille querellée par sa mère. The ballet was originally choreographed by the Ballet Master Jean Dauberval to a pastiche of music based on fifty-five popular French airs. The ballet was premiered on 1 July 1789 at the Grand Théâtre de Bordeaux in Bordeaux, France under the title Le ballet de la paille, ou Il n'est qu'un pas du mal au bien (The Ballet of Straw, or There is Only One Step from Bad to Good). The choreographer Jean-Pierre Aumer, a student of Dauberval, continuously revised Hus's 1803 production throughout his career as ballet master at the Paris Opéra. He then travelled to Vienna in 1809 to mount the work for the Ballett des imperialen Hoftheater nächst der Burg. On 17 November 1828, Aumer presented a completely new version of La Fille mal gardée at the Paris Opéra especially for the Ballerina Pauline Montessu. For this revival the composer Ferdinand Hérold created an adaptation of the original score of 1789. Hérold also borrowed many themes from the operas of such composers as Jean Paul Egide Martini and Gaetano Donizetti. In 1959, the choreographer Frederick Ashton began creating a completely new version of La Fille mal gardée for the Royal Ballet of London. This production premiered on 28 January 1960,[1] with the ballerina Nadia Nerina as Lise, David Blair as Colas, Stanley Holden as the Widow Simone, and Alexander Grant as Alen. Since its inception Ashton's staging has become a celebrated classic of the ballet repertory. Ashton then commissioned the Royal Opera House's composer and conductor John Lanchbery to orchestrate and edit Hérold's score. After becoming frustrated with the under-developed nature of this music, Ashton and Lanchbery decided that Hérold's music would be better used as a foundation for an entirely new score, for which Lanchbery would compose a few new numbers. They went even further by incorporating passages of the original pastiche music from the premiere of 1789 into the score, as well as one number from Hertel's score which was utilised for the famous Clog Dance. Ashton was disappointed that Hérold's score contained no suitable Grand pas, and for a while considered using the well-known La Fille mal gardée pas de deux. Ivor Guest found a violin reduction of the pas de deux that Fanny Elssler had arranged for her performance in the ballet in 1837, tucked away in an old box of music at the Paris Opéra. This number is now known as The Fanny Elssler pas de deux.