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Felicia is joined by Bryan Loomis to discuss Arthur C. Miller’s imprint on one of cinema’s greatest achievements in cinematography, How Green Was My Valley (1941). We chat about how he understood John Ford’s clear vision for this film and why the black and white imagery adds to the comfort reflected in this family’s story. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Bryan here: Website: PODCAST | What a Picture (whatapicturepod.com) (https://www.whatapicturepod.com/) What a Picture Podcast: https://anchor.fm/what-a-picture Listen to our previous episodes here: All the President’s Men (D.O.P. Gordon Willis 1976) (https://www.seeingfacesinmovies.com/e...) I Was Born, But… (Yasujirō Ozu 1932) (https://www.seeingfacesinmovies.com/e...) Miracle in Milan (Vittorio De Sica 1951) (https://www.seeingfacesinmovies.com/e...) Sources: Balshofer, Balshofer, F. J., & Miller, A. C. (n.d.). One reel a Week. University of California Press. https://www.pbs.org/wnet/americanmast... https://www.moma.org/explore/inside_o... https://goldenglobes.com/articles/res... https://moviecrashcourse.com/2019/03/... https://www.bbc.com/videos/c4nnj5llx66o https://starsandletters.blogspot.com/... Outro Song: Huw Walks Among the Daffodils by Alfred Newman Listen to full episode :