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Frédéric François Chopin[n 1] (born Fryderyk Franciszek Chopin;[n 2][n 3] 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation".[5] Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafter – in the last 18 years of his life – he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his other musical contemporaries, including Robert Schumann. Frédéric Chopin's Fantaisie-Impromptu (Polish: Fantazja-Impromptu) in C♯ minor, Op. posth. 66, WN 46 is a solo piano composition. It was composed in 1834 and published posthumously in 1855 despite Chopin's instruction that none of his unpublished manuscripts be published.[1] The Fantaisie-Impromptu is one of Chopin's most frequently performed and popular compositions.[2]: 189 History The Fantaisie-Impromptu was written in 1834, as were the Four Mazurkas (Op. 17) and the Grande valse brillante in E♭ major (Op. 18), but unlike these other works, Chopin never published the Fantaisie-Impromptu. Instead, Julian Fontana published it posthumously, along with other waltzes Opp. 69 and 70.[3] It is unknown why Chopin did not release the Fantaisie-Impromptu. James Huneker called parts of it "mawkish" and "without nobility".[4] Ernst Oster conducted a technical examination of the piece which hints at similarities between the Fantaisie-Impromptu and Ludwig van Beethoven's "Moonlight" Sonata (Quasi una fantasia), which he cites as the reason for Chopin's reluctance to publish the piece. It is also recognized that it resembles the Impromptu in E♭ major, Op. 89[5] composed by Ignaz Moscheles and published in 1834, the same year Chopin composed his Fantasie-Impromptu.[6]