J.S. Bach - Trio Sonata No. 5 for Organ, BWV 529 (c. 1730) скачать в хорошем качестве

J.S. Bach - Trio Sonata No. 5 for Organ, BWV 529 (c. 1730)

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations as well as for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time. Please support my channel: https://ko-fi.com/bartjebartmans J.S. Bach - Organ Sonata No. 5 in C major, BWV 529 (c. 1730) 1. Adagio (0:00) 2. Largo (5:26) 3. Allegro (11:14) Kay Johannsen at the organ of the Stadtkirche in Stein am Rhein (Builder: Metzler, 1992) (37 stops, three manuals). The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each sonata has three movements, with three independent parts in the two manuals and obbligato pedal. The collection is generally regarded as one of Bach's masterpieces for organ. The sonatas are also considered to be amongst his most difficult compositions for the instrument. The collection was assembled in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from earlier cantatas, organ works, and chamber music as well as some newly composed movements. The sixth sonata, BWV 530, is the only one for which all three movements were specially composed for the collection. When played on an organ, the second manual part is often played an octave lower on the keyboard with appropriate registration. Commentators have suggested that the collection might partly have been intended for private study to perfect organ technique, some pointing out that its compass allows it to be played on a pedal clavichord. The organ sonatas were first gathered together in Leipzig in an autograph manuscript which Bach scholars have dated to a period roughly between 1727 and 1730. Apart from the heading with the numbering of the six sonatas and an indication of where the manuscript ends, Bach himself left no further specifications. After Bach's death, the musician Georg Poelchau (1773–1836) produced a covering page for the collection (along with the Great Eighteen Chorale Preludes) with a title and commentary. The sonatas were described by Bach's biographer Johann Nikolaus Forkel as follows: Six sonatas or trios for two keyboards with obbligato pedal. Bach composed them for his eldest son, Willhelm Friedemann, who, by practising them, prepared himself to be the great organist he later became. It is impossible to say enough about their beauty. They were written when the composer was in his full maturity and can be considered his principal work of this kind. Poelchau's commentary on the covering page is a direct quotation of this passage from Forkel: The organ sonatas represent the culmination of Bach's collections of keyboard works with a partly didactic purpose, from the point of both playing and composition. Although intended initially for Bach's eldest son Wilhelm Friedemann Bach, they also became part of the staple repertoire of his students. The keyboard collections include the Orgelbüchlein, the two and three part inventions, the first book of The Well-Tempered Clavier, the French Suites, and the Six Partitas (Clavier–Übung I). Two main sources are known for the collection of sonatas. The first autograph score—possibly not the original composing score—is on paper with a watermark that allows it to be dated to the period 1727–1730. The second "fair copy" was started by Wilhelm Friedemann and completed by Bach's second wife Anna Magdalena. In addition, there are numerous other later copies by the circle of Bach, including copies of the first movement of BWV 527 and the slow movement of BWV 529 made by Bach's former pupil from Weimar, Johann Caspar Vogler. From these surviving manuscripts of the collection and the circumstances surrounding its composition—including Wilhelm Friedemann's future career (as a law student in Leipzig and then as organist of the Sophienkirche in Dresden) and Bach's renewed interest in the obbligato organ in his third cycle of cantatas—the date when the collection was compiled can be roughly set at a time between 1727 and 1730, although without any precision. For much more info about the works visit: https://en.wikipedia.org/wiki/Organ_S...)