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Jennifer Beals (born December 19, 1963)[1] is an American actress. She made her film debut in My Bodyguard (1980), before receiving critical acclaim for her performance as Alexandra Owens in Flashdance (1983), for which she won NAACP Image Award for Outstanding Actress in a Motion Picture and was nominated for the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical. Beals has appeared in several films including Vampire's Kiss (1988), Mrs. Parker and the Vicious Circle (1994), Devil in a Blue Dress (1995), The Last Days of Disco (1998), Roger Dodger (2002), The Book of Eli (2010), Before I Fall (2017), and Luckiest Girl Alive (2022). On television, she starred in shows such as The Chicago Code (2011), Proof (2015), Taken (2017), and The Book of Boba Fett (2021). She is best known for her portrayal of Bette Porter on the Showtime drama series The L Word (2004–2009), which earned her a nomination for the Satellite Award for Best Actress – Television Series Drama. She reprised her role as Bette Porter and served as an executive producer on the sequel series The L Word: Generation Q (2019–2023). Early life Beals was born and raised in the South Side of Chicago, Illinois,[2] the daughter of Jeanne (née Anderson), an elementary school teacher, and Alfred Beals, who owned grocery stores.[3] Beals's father was African-American, and her mother is Irish-American.[4] She has two brothers, Bobby and Gregory.[5] Her father died when Beals was nine,[6] after which she spent a summer at Cheley Colorado Camps in Estes Park, Colorado.[7] Her mother married Edward Cohen[5] in 1981.[8] Beals says that her biracial heritage affected her. Of her youth, she says that she "always lived sort of on the outside", with a feeling "of being the other in society".[4] Beals's first job was at age 13 at an ice cream store, using her height at the time (she is now 5 ft 8 in [1.73 m]) to convince her boss she was 16 years old.[6] Two key moments inspired Beals to pursue a career in acting—working on her high school's production of Fiddler on the Roof, and seeing Balm in Gilead (with Joan Allen) while volunteer-ushering at the Steppenwolf Theatre.[9] Beals graduated from Francis W. Parker School in Chicago,[10] then participated in Goodman Theatre Young People's Drama Workshop.[11] She graduated from Yale University with a B.A. in American Literature in 1987.[12] While at Yale, Beals was a resident of Morse College.[12] She deferred a term so she could perform in the feature film Flashdance.[10] Career Film In 1995, Beals and Denzel Washington co-starred in Devil in a Blue Dress, a period film based on a Walter Mosley novel featuring L.A. private detective, Easy Rawlins. Beals plays a biracial woman passing for white. That same year she appeared with Tim Roth in two segments of the four-story anthology Four Rooms, one of which was directed by her then-husband, Alexandre Rockwell. Charles Alexandre Rockwell is an American film director, producer, screenwriter and professor. Life and career Alexandre Rockwell is best known for his independent films made in NYC with a small group of actors he met on the lower east side in the late 80s. His first films helped launch the careers of well known actors like Steve Buscemi, Sam Rockwell, Peter Dinklage, Stanley Tucci, as well as many other notable indie stars of the time. His filming style is described as purely independent in spirit and poetic in style. He mixes a blend of comedy and drama to create a portrait of outsiders. His influences are wide-ranging, he has been quoted as saying his style is "as much the Three Stooges as it is Tarkovsky". Since February 8, 2003, Rockwell has been married to actress Karyn Parsons (of Fresh Prince of Bel-Air fame), with whom he has two children. Rockwell currently is head of the directing program at NYU's graduate film school.[2] and resides in Brooklyn, New York. His wife, Karyn, has her own production company, Sweet Blackberry.[3] In the Soup is a 1992 independent comedy directed by Alexandre Rockwell, and written by Rockwell and Sollace Mitchell (credited as Tim Kissell).[2] It stars Steve Buscemi as Aldolfo Rollo, a self-conscious screenwriter who has written an unfilmable 500-page screenplay and is looking for a producer. The film and its history are discussed in depth in John Pierson's account of the independent American film 'scene' of the late 1980s/early 1990s, Spike, Mike, Slackers, & Dykes: A Guided Tour Across a Decade of American Independent Cinema. A Kickstarter project started in July 2017 with hopes of restoring the archival print and re-releasing the film for its 25th anniversary.[3] The restored print was released by Factory 25 in 2018.[4]