Cosmovisión Torneo de la Bahia - 2025. Postcommodity скачать в хорошем качестве

Cosmovisión Torneo de la Bahia - 2025. Postcommodity

Cosmovisión Torneo de la Bahia - 2025. Cosmovisión is a musical instrument created by Postcommodity. It includes graphic scores, granular synthesis, multichannel sound, interactive video, and music performance. Generaously Supported by: Native Arts and Cultures Foundation, SHIFT; US Latinx Art Forum, US Latinx Award; William and Flora Hewlett Foundation, Hewlett 50 Arts Commission in partnership with Leonardo/ISAST; and SFMOMA Media Arts and Public Engagement Department. Installation views and performance, San Francisco Museum of Modern Art (SFMOMA), San Francisco, CA. Photos by Barak Shrama, Courtesy of SFMOMA and Leonardo/ISAST Using Cosmovisión, Postcommodity foregrounds the element of sound to learn about people's relationships to the land they come from and occupy today. For their installation at SFMOMA, titled Cosmovisión Torneo de la Bahia, Postcommodity invited seven Bay Area-based arts and cultural workers to participate in the premiere of Cosmovisión, a musical event and sonic ceremony currently unfolding in this space. These workers were selected because they serve the Bay Area by helping to organize community. Considering the greater acoustic ecology at work in both built and natural environments, each participant sonically mapped the local landscape with field recordings. Their sounds embody a spectrum of frequencies that represent places with personal significance, whether connected to memory from the past or even a proposition for the future. Stories emerging through this collaboration are sonified and visualized as graphic musical scores projected on the walls and floor. Two teams of participants take turns performing the instrument of Postcommodity's invention to transform their recordings into experimental music and use the device's controls to send real-time feedback to one another. Line drawings that form the scores come into view when participants collaboratively improvise and harmonize sounds. The projected images will dissipate into smoke with discordance but return to focus with sonority. Using land as a mediator of relationships in this work, the collective encourages knowledge sharing, the practice of listening, and the creation of generative conversations that can lead to syncretized worldviews. Performers: JD Beltran, Rob Corder, Derek Gedalecia, Kim Shuck, Jorge Eduardo Sibaja, Rosario Sotelo, Raquel Vigil