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In this extract from The Silence Before Bach (2007), Pere Portabella's last major film, the connection between artistic performance, quotidian spaces, and myth is made startlingly evident. Portabella's montage relates several layered elements: a "phantom ride" on a moving train, camera movement, a performance by twenty celloists of the Prelude to Bach's Cello Suite No. 1 in G Major (BWV 1007, 1717), and Germany's great rivers. A perfect encapsulation of the grand ambition and associative richness of Portabella's work, the sequence connects the cinema's 19th century origins, the perpetual movement of history, and the flow of memory. Watch Portabella's films and learn more about his work, Bach, Spanish cinema, phantom rides, montage, the origins of cinema, and its many reinventions in our Pere Portabella and Film Music Exhibitions. Stay tuned for much more on rivers, landscapes, German history, and Romanticism in the coming weeks. Follow the links below. If you are reading this from Brazil, screenings of Portabella's work at IMF in São Paulo will continue through the end of November. For everyone else, all the major films are now on Film Secession. Pere Portabella Exhibition: https://filmsecession.com/exhibition/pere-... Pere Portabella Film Program: https://filmsecession.com/cinema/overview?... Film Music Exhibition: https://filmsecession.com/exhibition/film-... About Film Secession: https://filmsecession.com/about-us #filmsecession #pereportabella #bach #johannsebastianbach #spanishcinema #catalan #earlycinema #filmhistory #filmmusic #cellosuites #filmschool