Nicole Lizée - White Label Experiment (2012) 4K скачать в хорошем качестве

Nicole Lizée - White Label Experiment (2012) 4K

Composition: Nicole Lizee https://www.nicolelizee.com/ Performed By: Paulo Amendoeira https://www.pauloamendoeira.com/ Álvaro Ayuso   / alvaro.ayuso   Nathan Colin Beatriz Rodrigues S. Santos   / bia.9rs   Sound engineering: HKB Tonstudio/Beat Müller https://hkb-soundarts.ch/ Production Brian Archinal Special Thanks: Martín Sanhueza    / @martin_sanhueza_c   White Labels began to appear in the late 1980s and existed for a few reasons, perhaps mostly so that DJs could avoid giving away their discoveries like who/what they were playing. They enjoyed keeping those treasures for themselves and for the public’s consumption. The desire to keep trade secrets coupled with a desire to avoid licensing hassles led to plain white labels which DJs affixed to the records they were playing. Similarly, a white-label product is a product or service manufactured by one company (the producer) that other companies (the marketers) rebrand to make it appear as if they had made it. Created in honor of visionary artist John Cage’s centennial (1912-1992), White Label Experiment is a kind of tribute to some concepts and philosophies that defined his music and writings through the lens of mass manufacturing and the consequences thereof. One aspect of Cage’s work was his incorporation or perhaps re-purposing of, at that time, unconventional instruments into his compositions and extracting unexpected and unintentional sounds from traditional ones. In a similar spirit, Nicole Lizée — an accomplished turntablist herself, employs an array of objets trouvés, such as typewriters, overlooked synthesizers and portable turntables with vinyl records played like percussion instruments, for the most part disregarding their intended functions, but also taking inspiration from found sounds, like the samples she finds buried in long-forgotten recordings of the past as a point of departure to create different atmospheres and textures within the ensemble music. The concept of "prepared" instruments, one of Cage’s most influential innovations, is echoed here through modified vinyl records, where altered grooves produce rhythmic and melodic patterns by redirecting the stylus creating a looped, or the so-called “locked groove.” Lizée once described the the work as a vibrant celebration or hommage to Cage, envisioning it as “a rave reimagined.”