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Czerny and Mendelsohn often met to discuss the correct form of the Fugue and whether it could still be innovative after the Baroque period, and Czerny apparently managed to further explore and adapt the fugue with some harmonic and melodic resources that are heard. In some of his greatest Etudes such as Op. 692, 756 and, 364, 365 and 399, Op. 400 is the final part of the method that Czerny created to reach the highest level of virtuosity, which is: Op. 299 School of speed Op.335 Legato and Staccato School Op.355 School of Ornaments Op.399 left hand school Op.400 School of Prelude and Fugue I don't know why Czerny skipped Op.365 the virtuoso school, but I would play it and recommend it at the same time as Op.400. In summary, I consider and have proven that Czerny Op.364,365 and 400 are more difficult than Liszt's 12 transcendental etudes. There are many etudes that are more difficult than those of Liszt and I consider that only Liszt can guard or be close to the most difficult etudes of Czerny, Alkan and Mereaux with the first version of the Liszt Paganini etudes and 12 transcendental etudes