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The Flipflaps (1964) Written by Yusuf Idris (Egypt) Translated by Trevor LeGassick Directed by NJ Agwuna Yusuf Idris (Egypt), Issam Mahfouz (Lebanon) and Sa’dallah Wannous (Syria) are some of the Arab world’s most renowned playwrights, but are relatively unknown to the Western world. Their complex and nuanced plays address the timeless issues of power and politics in ways that deeply resonate with our own situation. This event is curated by Joy Sarah Arab (Producer) in collaboration with Marvin Carlson; dramaturgy by Salma S. Zohdi. Evening readings followed by a discussion with Joy Sarah Arab, Marvin Carlson, Kareem Fahmy (Director/Playwright), Philip Himberg (Sundance Institute Theatre Program), Christian Parker (Columbia University), Edward Ziter (Tisch School of the Arts, NYU), and Salma S. Zohdi. Discussion moderated by Frank Hentschker. Known as Yusuf Idris’s foremost absurdist work, The Flipflaps (Al Farafir) was written during a time of great change and challenge in Egypt and caused a literary uproar for two weeks in 1964 before it was banned. The Flipflaps is a two-person dialogue between a master and a slave. The slave, Flipflap, imparts Idris’s social, political, moral, and metaphysical ideas through allusions and symbols.