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00:50 Chanson Triste (Henry Duparc) -- Grace Fitzpatrick 25:40 The Vagabond (Ralph Vaughan Williams) -- Aidan Callahan 50:44 Poor Wand’ring One from The Pirates of Penzance (Arthur Sullivan) -- Cassidy Bailey 1:12:50 Lonely House from Street Scene (Kurt Weill) -- Aiden Johnson 1:34:52 O du mein holder Abendstern from Tannhäuser (Richard Wagner) -- Aidan Schmidt Chanson triste ("Sad Song"): Moonlight slumbers in your heart, A gentle summer moonlight, And to escape the cares of life I shall drown myself in your light. I shall forget past sorrows, My sweet, when you cradle My sad heart and my thoughts In the loving calm of your arms. You will rest my poor head, Ah! sometimes on your lap, And recite to it a ballad That will seem to speak of us; And from your eyes full of sorrow, From your eyes I shall then drink So many kisses and so much love That perhaps I shall be healed. O du, mein holder Abendstern ("O You, My Gentle Evening Star"): Dusk covers the land like a premonition of death, Wraps the valley in her dark mantle; The soul that longs for those heights Dreads to take its dark and awful flight. Then you appear, O loveliest of stars, And shed your gentle light from afar; Your sweet glow cleaves the twilight gloom, And as a friend you show the way out of the valley. O you, my fair evening star, Gladly have I always greeted you: Greet her, from the depths of this heart, Which has never betrayed her, Greet her, when she passes, When she soars above this mortal vale To become a holy angel there! Carol Mastrodomenico is a versatile performer of recital works, opera, oratorio, cabaret & musical theater. She has appeared as a guest soloist with choruses, orchestras & chamber ensembles. She most recently sang a program of Sondheim & contemporary musical theater in the iconic Jameos del Agua theater in the Canary Islands. She is in demand as a musical theater director in the US & Europe. Her great love for Spanish & Latin American repertoire has led her to the curation of recitals & the development of new repertoire courses. She is on the faculties of Longy School of Music of Bard College, Tufts University, & Dramatic Voices Program Berlin, where she directs opera & musicals & teaches voice, vocal pedagogy, & repertoire courses. A champion of new music, she commissioned & premiered many new works including Thomas Stumpf’s adaptation of Oscar Wilde’s Nightingale & the Rose & The Happy Prince, John Morrison’s History of England by Jane’s History of England & Vartan Aghababian’s Knave of Hearts. In spring '26, she will direct the Tufts Opera Ensemble premiere of Thomas Stumpf’s Half Hanged Mary based on the poem by Margaret Atwood. Ms. Mastrodomenico is just as passionate about vocal pedagogy & teaching voice. She has developed online masterclasses for Opera Programs Berlin, most recently “The Whole Instrument” with colleague Sarah Whitten. She is part of the Teaching Online & Vocal Symposium: Vocal Technique, Resources & Strategies where she teaches sessions on “Post-Vocal Trauma Training” & “Strategies For Mental Toughness: Reclaiming Your Voice”. Students learned how to use vowel resonance strategies to sing musical theater belt, in addition to classical strategies. She has participated in panel discussions by the Boston NATS (National Association of Teachers of Singing) Chapter on the different elements of "Teaching Men to Sing" & was invited by the Western Massachusetts NATS chapter to give a solo presentation on Teaching Men. Her master classes at the Classical Singer Convention, Regional NATS workshops & area Colleges are widely attended. She developed & annually taught a vocal curriculum for string performers at the Heifetz International Summer Institute in Staunton, VA until the summer 2016. Ms. Mastrodomenico’s students can be heard singing throughout the United States, Europe, & South America. They have been accepted into graduate & undergraduate programs at Julliard, Manhattan School of Music, New England Conservatory of Music, Eastman School of Music, University of Colorado at Boulder, University of Texas at Austin, University of North Texas, Cleveland Institute of Music, University of Miami, Frost School of Music, Michigan State University, University of Maryland at College Park, Ithaca College, Guild Hall & The Royal Academy of Music in London. Her singers regularly attend young artist programs at Houston Grand Opera, Central City, Berlin Song Festival, Edinburgh Music Festival & Halifax Opera Festival. Ms. Mastrodomenico received her Master of Music degrees in Vocal Performance & Vocal Pedagogy at New England Conservatory of Music. She has continued her training with a certificate from the Acoustic Vocal Pedagogy Summer Program at NEC, & Somatic Voicework The LoVetri Method for CCM styles. She is on the voice faculties of Longy School of Music of Bard College & Tufts University, Dramatic Voices Program Berlin & Lanzarote Opera Festival & Academy.