Key of G - 7th Chord Arpeggios - 2 Octaves - Multiple Fingering Shapes - Guitar Tutorial скачать в хорошем качестве

Key of G - 7th Chord Arpeggios - 2 Octaves - Multiple Fingering Shapes - Guitar Tutorial

A PDF reference sheet for this video is available to download here - https://www.dropbox.com/scl/fi/ew52x7... Key of G - 7th Chord Arpeggios - 2 Octaves - Multiple Fingering Shapes - Guitar Tutorial - JAM TRACK    • Key of G - 7th Chord Arpeggios - 2 Octaves...   Video Highlights: Opening Playing Demonstration with the Drumgenius app 0:00 - pg1 of PDF as written 1:23 - pg2 of PDF as written NOTE: made fingerings errors on the Cmaj7 in Example #6 2:45 - pg3 of PDF as written 3:57 - pg4 of PDF as written 5:39 -Brief Introduction Breakdown and Analysis pg1 of PDF 6:05 - explaining the strategy of note groupings 6:50 - Gmaj7 arpeggio contains a Bm triad - Am7 arpeggio contains a C major triad 7:35 - using the arpeggios in Example #4 as “Chord Voicings” pg2 of PDF 8:34 - using slides in Example #5 9:12 - using 3 string “sweep picking” in Example #7 - Cmaj7 arpeggio contains an Em triad 9:45 - using the arpeggios in Example #8 as “Chord Voicings” - using “hinge bar technique” for Am7, Bm7 & Em7 The following examples use an original JAM TRACK pg3 of PDF 10:48 - play a measure - improvise - play a measure - improvise 11:50 - ascending arpeggios - 1st and 2nd lines on PDF 13:43 - descending arpeggios - 3rd and 4th lines on PDF 15:57 - using “4th intervals” out of the basic “pentatonic scale” patterns - reference to Oasis OH-28 Guitar Support - Large pg4 of PDF 18:04 - play a line of written music - improvise 20:25 - play a line of written music - improvise - played in reverse order 22:30 - Closing Thoughts In this video I am playing a late 80's Ibanez Artist with a Seymour Duncan Jazz pickup (neck pick-up-parallel) through a Custom Billm Modified Fender Blues Junior in a custom designed cherry wood cabinet with a Jensen Special Design C15N speaker. NOTE: I have the neck pickup height adjusted very low, below the top of the the pickup surround. I'm using Stringjoy Broadways Classic Super Light Pure Nickel Strings (9-40), Dunlop ULTEX .060 large triangle pick, 20ft Horizon right angle cable and a Vintage Belden Custom Instruments braided cable with large (solid) brass ends to connect to the amp. The guitar is being supported by an Oasis OH-28 Guitar Support - Large. The guitar amp was recorded with a Stereo Matched Pair of Royer R-10 Ribbon Microphones placed on a stereo bar with the top of the mic capsule even with the top of the amp cabinet about 12 inches away. The voice was recorded with a Heil PR-40 microphone. I'm using a RØDE PSA1 Broadcast Microphone Boom Arm and a pair of Sennheiser HD 58X Open Back Professional Jubilee Headphones for monitoring. The percussion track is the Drumgenius app (Bossa 2-mm120) with an iPad Air. The backing track is an original JAM TRACK imported to the Capo app playing on an iPad Air. Everything is running into an Apogee Element 88 and 2018 Mac mini connected to a Satechi Stand & HUB for Mac mini with a Crucial P3 Plus 1TB Internal SSD PCIe Gen 4 x4 NVMe running Logic Pro X. Mackie HR824 Studio Monitors were used for mixing. Waves Audio Plugins - Scheps Omni Channel, PuigChild 660 & 670 Compressor(LAT-VER) Logic Pro X Plugins - Channel EQ, ChromaVerb(Vintage Concert Hall), Mastering Assistant. NOTE: there is NO EQ on the guitar tracks The video was shot with an iPhone 13. Lighting is "2" PBL VL-1000 Halogen Lights at the 1,000 watt setting with Glow Series III Extra Small Rectangular Softboxes (12 x 18”).