Yvette Guilbert - C19 French cabaret singer at Le Moulin Rouge, and Belle Époque actress скачать в хорошем качестве

Yvette Guilbert - C19 French cabaret singer at Le Moulin Rouge, and Belle Époque actress

Yvette Guilbert first came to my attention at university during a course in a Fine Arts degree – she was the subject of a litho print by Henri de Toulouse Lautrec, 'Saluant le Public' ('Taking a Bow'), 1898. More recently and with my interest in late C19 French music hall, I became aware that by 1890 the French cabaret singer and Belle Époque actress was headlining at Le Moulin Rouge, along with such 'luminaries' as La Goulue (Louise Weber). In his memoires, English painter William Rothenstein described Yvette Guibert's debut at the famed venue: "One evening Lautrec came up to the rue Ravignan to tell us about a new singer, a friend of Xanrof, who was to appear at the Moulin Rouge for the first time ... We went; a young girl appeared, of virginal aspect, slender, pale, without rouge. Her songs were not virginal - on the contrary; but the frequenters of the Moulin were not easily frightened; they stared bewildered at this novel association of innocence with Xanrof's horrific double entente; stared, stayed and broke into delighted applause." The singer herself expanded on this impression in this artistic mission statement: "I was looking for an impression of extreme simplicity, which allied itself harmoniously with the lines of my slim body and my small head ... I wanted above all to appear highly distinguished, so that I could risk anything, in a repertoire that I had decided would be a ribald one ... . To assemble an exhibition of humorous sketches in song, depicting all the indecencies, all the excesses, all the vices of my “contemporaries,” and to enable them to laugh at themselves ... that was to be my innovation, my big idea." Singing raunchy songs of tragedy and lost love rooted in the Parisian poverty from which she'd come, Guilbert was to appear in other noted Montmartre venues, such as ‘Jardin de Paris’, ‘Divan Japonais’, the ‘Eldorado Club’ and 'Les Ambassadeurs', usually wearing her trademark black gloves and plunging necklines. I was drawn to the ribald nature of her songs. One of the most famous, 'Madame Arthur' by Paul de Kock (c1850), I’ve used as the audio over images of the singer and actor, and also over the first two sections of film footage – one Guilbert talking and smiling outdoors, and the other the chanteuse filmed posing in a movie studio. The lyrics to 'Madame Arthur' translated are: "Ms. Arthur is a woman That made talk, talk, talk, talk to her long, Without newspapers, without anything, without calling She had a crowd of lovers, Everyone wanted to be loved by her, Each of the courting, why? Is that without being really beautiful, She had an indescribable! Ms. Arthur is a woman That made talk, talk, talk, talk to her long, Without newspapers, without anything, without calling She had a crowd of lovers, Ms. Arthur is a woman Who was talking about her long. Its size was very ordinary, Her eyes small but sémillants, Snub nose, his clear voice, Its curved legs and wriggling In short, looking at his face, Nothing you put in commotion; But behind her figure Promised an indescribable! Stuck by her lovers, It was she who sent them She loved the new ardor, An old love he disliked And each grief at heart, Find more lyrics on similar In his heart no longer use, Said, alas! another woman Will not have its indescribable! You should have seen the dance; His enthusiasm was unmatched By his movements, his bearing, She was the Queen of the Ball The rider facing it His foot touched the nose, my faith, Everyone applauded his grace And especially its indescribable! So what this lady lived? Showing a large retinue, Common in vaudeville, drama, Nothing at the forefront told She saw for the ordinary Come an end without fear, For then the owner Admired his indescribable! Oh! woman who are looking to do Conquests of morning and evening, In vain you go to please you Hours in your mirror, Elegance, grace mischievous, Look, sigh of genuine, Velvets, perfumes and crinoline Nothing beats an indescribable!" In the last and in some ways most interesting footage, we see and hear Yvette Guilbert speaking at a meeting and then singing part of a song she had made popular. We get a real sense here of the real force of her personality – her ability to command and direct situation absolutely! Enjoy!