Скачать с ютуб Sevish - Wait What в хорошем качестве

Sevish - Wait What

Microtonal psytrance / phase-locked harmonic series Please make some noise for this mad track! I'm getting murdered by the algo lately. Massive thank you! ----- The starting point for this track was an attempt to tune the key of the music to the BPM. If you take a BPM and multiply it by 2 several times you can get an audible pitch to use as a root note of your scale. Then if you take from the harmonic series to fill in your scale intervals, all frequencies will be integer multiples of the tempo. With sufficiently pitch-accurate (i.e. digital) oscillators you can hear an audible periodicity buzz in chords that pulse in synchrony with the tempo. It's as if an LFO was used in the sound design, but the effect was achieved with tuning alone. It's a cool trick which deserves more exploration but, in practice, doesn't work out too well. Here are some things to think about. The periodicity is only clearly audible with very plain sounding pure synth tones from a digital synth. The effect disappears as soon as any pleasing chorusing is applied. This limits your choices for sound design. (In this track I do have one instance of such plain digital sound, and to create some interest without completely destroying the periodicity effect all I could get away with was to apply a notch filter with modulating cutoff frequency). When under the constraint that the root pitch must be some number of octaves above the BPM, you find that the range of danceable BPMs mostly doesn't overlap with the sweet spot of subwoofers in reproducing the root pitch. The resulting pitch is either too high or low to make a pleasing root (depends on your opinion but might reasonably be around F-A). For this track, I chose 174BPM as it resulted in a root of 46Hz (around F#). That tempo is on the very high end of danceable and that pitch is on the low side. Something fun to think about is that if you had a collection of tracks where their root pitch was tuned to be some number of octaves above the BPM, then the process of matching their BPM would also match their root pitch. They would all be in the same key. I am a noob to psytrance but if you've ever seen these psytrance producer guys work you will notice that they are anal about phase and watching their waveforms with fancy BPM-synced oscilloscopes. If anybody could get some use out of this BPM-is-the-key periodicity trick then I think it's them. As for me, I'm just having a try. ----- Other ways to play Sevish: https://sevish.com/bandcamp https://sevish.com/spotify https://sevish.com/apple https://sevish.com/soundcloud https://sevish.com/deezer https://sevish.com Stuff: https://sevish.com/discord https://sevish.com/ko-fi https://merch.sevish.com