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"Everybody Hurts" is a song by American rock band R.E.M., originally released on the band's 1992 album Automatic for the People and was also released as a single in 1993. It peaked at number twenty nine on the Billboard Hot 100, and peaked within the top ten of the charts in Canada, Australia, the United Kingdom, Ireland and France. Much of the song was written by drummer Bill Berry, although as R.E.M. shares songwriting credits among its members, it is unknown how much he actually wrote. Berry's drums are largely absent from the song—a Univox drum machine took his place—but he was responsible for the sampling of the drum pattern on the track. The string arrangement was written by Led Zeppelin bassist John Paul Jones. Guitarist Peter Buck commented on the making of the track saying "'Everybody Hurts' is similar to 'Man on the Moon'. Bill brought it in, and it was a one-minute long country-and-western song. It didn't have a chorus or a bridge. It had the verse... it kind of went around and around, and he was strumming it. We went through about four different ideas and how to approach it and eventually came to that Stax, Otis Redding, "Pain in My Heart" kind of vibe. I'm not sure if Michael would have copped that reference, but to a lot of our fans it was a Staxxy-type thing. It took us forever to figure out the arrangement and who was going to play what, and then Bill ended up not playing on the original track. It was me and Mike and a drum machine. And then we all overdubbed." In the liner notes of the album In Time: The Best of R.E.M. 1988–2003, Buck writes that "the reason the lyrics are so a typically straightforward is because it was aimed at teenagers", and "I've never watched Buffy the Vampire Slayer, but the idea that high school is a portal to hell seems pretty realistic to me." Incidentally, the song was used in the 1992 film of the same name that preceded the show. In 2005, Buck told the BBC: "If you're consciously writing for someone who hasn't been to college, or is pretty young, it might be nice to be very direct. In that regard, it's tended to work for people of a lot of ages." In the video for the song, directed by Jake Scott and filmed along the double deck portions of I-10 near the I-35 Interchange in Downtown San Antonio, Texas in February 1993, the band is stuck in a traffic jam. It shows the people in other cars and subtitles of their thoughts appear on screen. At the end, all the people leave their cars and walk instead; then they vanish. The video was heavily inspired by the traffic jam in the opening dream sequence of Fellini's 8½. In 1995, British emotional support listening service The Samaritans, in response to the high suicide rate but low crisis service take-up amongst young men, launched a UK press advertising campaign consisting solely of the lyrics to "Everybody Hurts" and the charity's hotline number. The song was placed on R.E.M.'s Warner Bros. "best of" album In Time: The Best of R.E.M. 1988–2003 in 2003. It was one of four songs from Automatic for the People to make the compilation, more than from any other album. The song is included on R.E.M. Live. Most of this song was written by R.E.M. drummer Bill Berry. He quit the band in 1997 shortly before recording their album Up. After that album, the band almost broke up, but decided to continue as a trio. Berry became a farmer. This is an anti-suicide song. Berry wanted to reach out to people who felt they had no hope. On many R.E.M. songs, Michael Stipe purposefully sings indecipherably. He sang very clearly on this, however, because he didn't want his message getting lost. "I don't remember singing it," he noted in Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011, "but I still kind of can't believe my voice is on this recording. It's very pure. This song instantly belonged to everyone except us, and that honestly means the world to me." While Berry wrote this, he did not actually play on it. A Univox drum machine took care of that for him. R.E.M. bass player Mike Mills claims he bought the drum machine for $20, but it was perfect for the song's "metronome-ish feel." He told Pulse magazine in 1992: "Mike (Stipe) and I cut it live with this dumb drum machine which is just as wooden as you can get. We wanted to get this flow around that: human and non-human at the same time." The string arrangement was done by Led Zeppelin bassist John Paul Jones. The Nevada legislature commended R.E.M. for "encouraging the prevention of teen suicides," noting this song as an example (Nevada has a high rate of teen suicide). Michael Stipe is proud that R.E.M. created a song that actually saved lives. He told Mojo: "It saved a few. People have told me. And I love hearing that. That's for me, that's my Oscar, that's my gold on a shelf right there... that something we did impacted someone's life in such a profound way. That's a beautiful thing."