Eight Trios for Three Bassoons by Bach скачать в хорошем качестве

Eight Trios for Three Bassoons by Bach

Eight Trios for three bassoons by Johann Sebastian Bach Arranged by Alan Hawkins Published by Bocal Music Performed by: Dr. Susan Nelson, Bowling Green State University Dr. Karen Pierson, Ohio State University Bill Jobert, Wright State University Level B Bassoon Trio from the OMEA solo and ensemble list. The OMEA list states that performers must perform three pieces from the collection.. This collection is a great example of trio pieces that can be done with bassoonists at different ability levels. While the 3rd part is often a very simple bass line, the 1st part in most of these pieces has some great challenges for the player. Many of these are arranged so that the 1st part is a solo line supported by the other two voices. Hawkins was very clear with dynamics, articulations, and other elements so that performers can easily achieve a very musical performance. 1. Musette: Key of C major, written in 2/2 time. 3rd part holds a second space C for the entire mvt, 2nd part stays in the bass clef staff between D and A, the 1st part acts as a solo line moving between fourth line F up to G and A above the staff. 2. Minuet: Key of d minor, 3/4 time. 1st part goes to high F but generally stays between fourth line F and D above the staff. 2nd and 3rd part ranges stay in the bass clef staff, however the 3rd part drops below to low C and D in several places. 3. Polonaise: Key of g minor, 3/4 time. 1st part has high F's and G's and approaches them from leaps, a challenging part. 2nd and 3rd bassoon parts stay in a relatively easy range with supporting lines. 4. Minuet: Key of F major, 3/4 time. The most recognizable work in this collection, the 1st part proves challenging due to the range in the second theme which begins on high A above the staff. The 2nd bassoon part stays in a comfortable range and has some nice counter-lines throughout while the 3rd bassoon stays at the bottom of and below the bass clef staff. 5. Musette: Key of G major, 2/4 time. Also a well-known piece by Bach, this one keeps all the players within a two octave range from low D to the D just above the bass clef staff. One of the easier trios in the collection for the 1st part and has all the players playing moving notes throughout. 6. Minuet: Key of c minor, 3/4 time. This piece starts out simply, with all three parts in comfortable ranges, however at the second theme the 1st part turns into a solo line above the bass clef staff on high G's and Ab's. 7. March: Key of C major, 2/2 time. Another piece that students may recognize when they hear it, this arrangement has some nice moments for all three parts. 3rd part range is one octave from C below the staff to second space C. 2nd part generally stays within the next octave from second space C up to C above the staff, there are a couple of high E's and a high F. The 1st part moves between top space G and high G with one high A. 8, Fugue: Key of C, 2/4 time. This surprising little arrangement has the 2nd part starting the piece. The 1st part stays between third space E and G above the staff. The other two parts generally stay in the staff with the 2nd part moving up to C and D above the staff. Because this is a fugue, there are 16th notes for each player so everyone gets some challenges. This was the most fun piece in the collection to play for that reason. Production and editing: Jesse Duncan Production assistant: Larry Kennon