BARREL BRASSED Mvt. 4/5 - Donkey Kong Country 2 "Stickerbush Symphony" Brass Ensemble (Score Video) скачать в хорошем качестве

BARREL BRASSED Mvt. 4/5 - Donkey Kong Country 2 "Stickerbush Symphony" Brass Ensemble (Score Video)

“Stickerbush Symphony” from Donkey Kong Country 2, composed by David Wise and arranged for brass ensemble by Thomas Kresge. 📻 Get our music on Bandcamp! https://thegamebrass.bandcamp.com/ 🎧 Listen on Spotify! https://open.spotify.com/artist/7LOuy... 🍎 Find us on Apple Music!   / the-game-brass   😀 We have a Discord server; come hang! https://discordapp.com/invite/vkMjDrJ 🎺 Subscribe for more Brass Quintet covers! http://bit.ly/sub2gamebrass 🐦 Talk to us on Twitter!   / thegamebrass   🔵 Like us on Facebook!   / thegamebrass   📸 Follow us on Instagram!   / thegamebrass   🌐 Visit our website! http://www.thegamebrass.com/ 📬 For business inquiries: thegamebrass@gmail.com Featuring... The Game Brass: 🎵 John Robert Matz: Trumpet [http://www.johnrobertmatz.com] 🎵 Avery Yonehiro: Trumpet [‪@jazzthatbrass3484‬] 🎵 Robby Duguay: Trumpet [http://www.robbyduguay.com] 🎵 JohnStacy: French Horn ‪@TheJohnStacy‬] 🎵 Alana Yee: French Horn [‪@AlanaBeDootin‬ ] 🎵 Jordan Moore: French Horn [‪@JordanMooreMusic‬ ] 🎵 Jackie Fazekas: French Horn [http://jackiefazekas.com/] 🎵 Daniel Romberger (DannyMusic): Trombone [‪@dannymusic‬] 🎵 Eric L.: Trombone [‪@EricLTrombone‬ 🎵 Allison Martin: Trombone [‪@AllisonMartin‬] 🎵 Alex Hill (WarTubaFox): Tuba [ / @wartubafox ] 🎵 Rahul Vanamali: Marimba, Vibraphone [‪@RahulVanamali‬] 🎵 Yusuf Rashid: Shaker [‪@YusufRoshd‬] 🎵 Doug Perry: Cajón [‪@YusufRoshd‬] 🎵 Thomas Kresge: Arrangement, Mix, Video [https://www.kresgemusic.com/] 🎵 Emma Ember: Album Art 🎵 Henry Faber: Logo Design [  / henryfaber  ] Watch more game soundtrack covers performed on brass here:    • Game Music on Brass Instruments   Notes from Thomas about this arrangement: Three years ago, the idea of a forest-themed album was proposed, another in our line of biome-themed albums (e.g., snow, ghosts, and islands). With this theme in mind, two Donkey Kong tracks were considered: Forest Frenzy and Forest Interlude. Eventually, the theme was expanded to include any vaguely nature-themed area or game (namely including forests, jungles, flowers, plants, and greenery in general), and immediately the obvious choice for a Donkey Kong track became Stickerbush Symphony, one of the greatest standards of the VGM repertoire. Stickerbush Symphony became the fifth track I arranged for Brassroots, and there it sat for a couple months… just another track on a nature-themed album. But the idea of arranging Forest Frenzy (and Forest Interlude) never left me. The thought eventually arose to simply package a handful of tracks from Donkey Kong Country into a single EP, something of an offshoot of our main album. It didn’t take much thinking to decide on what else to fill this out with. Tree Top Rock is a somewhat more obscure track from DKC that I had arrangement ideas circling around in my head since at least 2020, and DK Island Swing, already an extremely iconic track in its own right, was nearly considered for Brassino Isles before being cut in favor of DK Island from Donkey Kong 64. It felt like the nature theming of all of these tracks could be easily justified, and we would have ourselves a tight five-track Donkey Kong Country nature suite. As mentioned before, this entire suite began as a single Stickerbush Symphony arrangement on our larger nature-themed album, Brassroots. So think of this EP as a complimentary spin-off, using the same ensemble as the primary album, and arranged at the same time. The order of the tracks was set when I decided to create this suite, but Stickerbush was the first track arranged, followed by DK Island Swing, Forest Frenzy, Forest Interlude, and finally Tree Top Rock. I also considered arranging Treetop Tumble from Donkey Kong Country 3, but ultimately dropped that (but did include a little reference to it at the start of Tree Top Rock). As the first track arranged, Stickerbush Symphony had the potential to feel a bit different than the other tracks. To some extent, it is: the form is played with a bit more, and there’s more overall variation to the original track than maybe some of the other arrangements got. That said, I could use the predetermined track order to help ensure the previous track and the one that would follow could transition logically into and out of Stickerbush, hopefully making the whole collection sound a bit more cohesive. As with other popular VGM tracks, there was a fair amount of pressure I placed on myself to produce a high-quality, original arrangement. I think we achieved something special, but there were a couple attempts to rewrite large portions of this arrangement… at least until time got the better of me and I just accepted that version one is the version we’re recording.