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Siostry Do-Re-Mi z tow. Fortepianu (Adam Kopyciński) – Zakochana dziewczyna (Girl in Love aka Chitarra Romana) Tango (Muz. diLazzaro – Sł. Maciejowski) Gong 1946 (Polish) NOTE: Siostry Do-Re-Mi (The Do-Re-Mi Sisters) were the first Polish post-war female vocal ensemble, akin to internationally renowned girls’ revelers of that time, such as the Brox or the Andrews Sisters in USA or the Italian Trio Lescano. It was founded in Cracow in 1945 and consisted of two sisters Anna & Janina Wrońska and Mrs. Irena Kusiak (who was later replaced by Nina Kołpacz and Zofia Kowalik). In summer 1945 they appeared on stage as prize winners in All-Polish Vocal Competition. In the ruined and deeply wounded postwar Poland, three charming and natural girls immediately conquered the hearts of Poles, performing in the schools, hospitals, half-ruined engine-depots as well as barns in small towns or small villages. Until 1962, when they disbanded, Sisters Do-Re-Mi gave over 3000 recitals. They also recorded extensively and two of their hits became Polish evergreens of all times: “Warszawa, ja i ty” (Warsaw, I And You) and “Jest taki jeden skarb” (There’s Somewhere a Treasure For Me) both presented by them in one of the most popular postwar Polish film comedies “Skarb” (A Treasure; 1948). Here, they sing tango “Chitarra Romana” (The Roman Guitar) - one of the best-known Italian hits of the interwar period, composed in 1934 by Eduardo di Lazzaro. Its Polish title is “Zakochana dziewczyna” (Girl In Love). ----------------------------------------------- Interesting is the history of the record production Gong, where this song was recorded in 1946. Gong was a Polish private record company, launched in 1946 in Kraków by employees of a local radio station, and soon it moved to nearby city of Katowice. Founder of the firm was engineer Leonard Czupryk, who was an employee at the Cracow Broadcast before the war. In January 1945 - when the fights for Poland were still going on – he was one of the first people who took care on the equipment abandoned by the Germans and on January 28, the Radio Kraków signal could appear again on the air. Initially, the record factory operated in the cellars of the Kraków Philharmonic using not very high quality equipment for the production of the plates; the finished product was of poor quality and was pressed in a small number of copies. The recordings were made in a private apartment in Kraków. Unfortunately, at the turn of 1949/50, when the firm was already in Katowice, the Gong Records was closed by the Stalinist decommissioning committee, which additionally scrupulously destroyed the entire collection of matrixes in the company's premises.