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Back in July 2001, Wahied released his album Salutations which was a rendition of the compilations of Shaykh al-Barzanji Riwāyāt al-Barzanji. Salutations went beyond the shores of South Africa with requests for the album coming from Indonesia, Germany, Australia, Canada, United States, Namibia, the United Kingdom, France and Qatar. Devotion followed in the same steps of Salutations to make known and preserve the cultural influences and practices of Muslims of the Cape. The Devotion album is a rendition/compilation of Dhikr, known to Muslims in Cape Town, South Africa as Al-hājah, the Gaddad or ‘werk’. The practice of the Ḥājah can be traced back to Shaykh Yūsuf al-taj al-Khalwati al-Maqasari who subscribed to the Khalwatiy-yah Ṣūfi order in Indonesia, who had arrived in the Cape in April 1694. The Ḥājah is a unique handpicked compilation of various sections of the Riwāyāt Sūrāt. The compilation in detail includes the recitation of Sūrahs Yāsīn, 'al-Mulk, 'al-'Ikhlāṣ, 'al-Falaq, 'an-Nās, al-Fātiḥah, the first and last part of 'al-Baqarah including 'āyāt 'al-Kursiyy, the recitation of the ninety-nine names of Allah ('Asmā 'al-Husnā), salutations on the Prophet, his family and his companions, a part of the Qasīdat 'al-Burdah referred to locally as the “Yā ‘Akraman” or the “Dhikr Jalālī”, a part of the Maulūd of 'al-Barzanjī, finally the 'Ashraqal and concluded with a supplication (du`ā'). The first part up to the salutations on the Prophet and the concluding supplication (du`ā') is included in the Du`ā' khatam al-Qur’ān. The complete compilation with the exception of Sūrahs Yāsīn and 'al-Mulk have been taken from various texts in the Riwāyāt Sūrāt and been called a ḥājah, werk and an ‘arwāh. Here Wahied renderes the Hājah