Скачать с ютуб Analysis of right-hand flamenco guitar techniques в хорошем качестве

Analysis of right-hand flamenco guitar techniques

In this second part of the interview with maestro Javier Conde, you'll dive deeper into the technical challenges of the right hand in flamenco guitar. Topics covered include various thumb positions, alzapúa, rasgueo and abanico, along with specific examples of how some legendary maestros like Paco de Lucía and Vicente Amigo position their right hands for different effects. 🔥 Topics Covered 🔥 1️⃣ Right-hand techniques in flamenco guitar: thumb positions, alzapúa, rasgueo and abanico. 2️⃣ Explanation of different right-hand positions based on specific techniques. 3️⃣ Comparison of the right-hand positions of maestros like Paco de Lucía, Vicente Amigo and Sabicas. 4️⃣ The importance of finger and wrist alignment for precise execution of techniques. 5️⃣ How subtle variations in hand and finger positioning can impact the sound. 🎵 Key Takeaways 🎵 Thumb Technique: Javier Conde explains two thumb positions – one using the front of the nail and another using both the nail and the flesh for different tonal effects. Alzapúa: Requires a more angled hand position, with a mix of wrist and finger movement to execute the technique efficiently. Picado: Javier shares his personal method of positioning the wrist outward and keeping fingers aligned, while acknowledging that every guitarist has their own natural hand position. Rasgueo & Abanico: These techniques rely heavily on the wrist, with variations in strength and angle of the hand depending on the desired sound. Maestro Technique: Javier highlights the unique right-hand positions of Paco de Lucía (with a raised elbow) and Vicente Amigo (strong arpeggios), demonstrating how small nuances in positioning can shape the sound and style. 📣 Want to learn flamenco guitar from Spain's best maestros? Try out the Online Flamenco Academy with more than 500 lessons and a Free 14-Day Trial: https://onlineflamenco.com/14-special...%youtube%