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Digitally Remastered and Re-released A piece for string quartet exploring multi-timbral and harmonic devices to create a rich quasi-orchestral 'landscape' within which historical musical remnants can be discovered. Scraping, scratching and rubbing resonant objects often produces concrete noises largely consisting of extremely rapid successions of partials of one or several fundamentals. The internal structures of these noises become clearly audible when one records them and transposes them several octaves downwards; they have characteristic articulations of pitch and rhythmic forms, many of which reminded me of already existing ethnic musics. Analyses of such forms gave rise to the basic ideas and processes of this piece: an almost mechanical, unimpassioned sequence of deconstruction and reconstruction. Both "composed" and found sounds are subjected to a wide range of examination: they are analysed, dissected, slowed down, transposed, rendered static or they are constructed - "synthesised" - built up out of many small elements, layered on top of themselves, speeded up, made dynamic. The title is derived from the German plural for musics. MUSI-KEN was passionately premiered and recorded for the WDR, Cologne by the Gaudeamus Quartet in 1973. Year: 1972 Category: Chamber (3 - 6 players) Publisher: Feedback: Cologne Minutes: 15:14