Bhairavi Chetavani | Narci | Dr. Krimal Acharya | Hindi Rap (Prod. By Narci) скачать в хорошем качестве

Bhairavi Chetavani | Narci | Dr. Krimal Acharya | Hindi Rap (Prod. By Narci)

Song: Bhairavi Chetavani Rap: Narci (  / narci_thoughts  ) Singer: Dr. Krimal Acharya (  / krimalacharya  ) Lyrics: Narci & Traditional Music & Arrangement: Narci Mixing & Mastering: Xzeus Artwork & Visuals: iKillGraphix ABOUT 'BHAIRAVI CHETAVANI' SONG This song has been written from the perspective of Goddess Bhairavi. Through this song, the artist is trying to convey that Mother Bhairavi keeps an eye on every good and bad thing that happens in this world. Before Mother Bhairavi in her fierce form sheds rivers of blood of demons, she is giving everyone a chance to reform. The arrival of Goddess Bhairavi is certain but before her arrival, she is leaving a warning, whoever understands her warning will be under the shadow of her grace and whoever ignores her warning, she herself will come in the form of terrible death. ABOUT GODDESS BHAIRAVI The goddess of destruction is the consort of Kala Bhairava, the aggressive form of Lord Shiva hence also known as Kala Bhairavi. Goddess Kali is known as the most primordial form of energy (Adi Shakti). She is worshiped in ten different forms known as Dasa Mahavidyas, the fifth of which is Bhairavi. That is also the reason she shares so many characteristics with Goddess Kali. Goddess Bhairavi is often portraited in a cremation ground doing different kinds of sadhana. Her hair, unlike other goddesses, is not tied neatly, sprawling all across her head. She wears red garments with a garland made up of skulls, just like Goddess Kali. Her one hand is shown, granting us boon and telling us to show no fear. On the one hand, she carries a sword, and on the other hand, she carries a body-less head. She has dark greyish red skin and blood smeared on her body. She is shown holding weapons such as a trident and a thunderbolt. Goddess Bhairavi is often portrayed sitting on a headless body referred to as Savasadhana, which is also a form of meditation. Her two hands are in Abhaya and Varada mudras. Her Vahana is a lion which shows her power on a battlefield. She is pictured either in an ecstatic or a ferocious mood with fangs. LYRICS [Krimal Acharya] Shiva duti svarupena hata daitya mahabale Ghor rupe maha rave Bhairavi namostute Lakshmi lajje maha vidye shraddhe pushti svadhe dhruve Maha ratri maha vidye Bhairavi namostute [Narci] Sar kaatun main paapi Paapi sar kaatun main kaafi Kaafi sar katne hai baaki Machale hathon mein daraanti Machale hathon mein talwar, shool karun vaar gire kahin sheesh door Talwar maange meri neech khoon Main sheesh neech ka pees doon Kali kaal ki bhool bhulaiya mein hota kyun banda gum? Khaat bana lo arthi ki, sath talashon kandha tum Talwar meri teri paap karam ki jaane saari taareekhein Main kaat saron ko, pade shavon pe, naach karungi andhaadhundh Paapo pe tu rok laga, bachane ka abhi avsar hai Dharm ki raah pe pair badha, na prerit ho tu Hastar se Dastak deti yadi tujhe meri na chetavani Sar tera ye kaat adharmi thaam chalungi has kar main Saaf hridy ke bhakton se kuch aisa mera bandhan ho Stuti meri hi bhakton ki sab peedaan ki bhanjan ho Saaf hridy aur bhakti ki shakti ka kuch hai prabhaav Ugr roop mein bhi unko mere saumya roop ke darshan ho Paap se tapti dhara pe hoga mera hi to saavan Kaatungi fir Chand-Mund main, dhara ke saare Ravan Paapon ka hisaab na hoga aisa na tum paalo bhram Kalki se pehle hoga mera hi aavahan [Krimal Acharya] Shiva duti svarupena hata daitya mahabale Ghor rupe maha rave Bhairavi namostute Lakshmi lajje maha vidye shraddhe pushti svadhe dhruve Maha ratri maha vidye Bhairavi namostute [Narci] Maa banke samjhati hoon to baatein meri lena maan Sath chor de aaj adharmi, neech teri tu sena ka Baat yadi tu samjh gaya to dhaal banugi teri main Warna main bhi jaanun lete raakshason kaise praan Dharm chor jo asur bane wo khadg ka mere graas hai Kate saron se behta rakt shaant kare meri pyaas hai khadg uthane se pehle mera roop hi lega praan tere Baithi hoon Shamshaan mein, sheesh kati main lash pe Lena na mazak mein baatein, ghoom rahi main chaaron aur Kaun hai kaami, kaun laalchi, dekh rahi main saaron ko Janm diya hai maine to kyun Kali ke seekhe gun? Samay pada hai tyag abhi tu paap bhare kirdaaron ko Sar ko meri god pe rakh, baalon ko sehlaane de Paap geet pe rok laga tu lori mujhko gaane de Samay abhi bhi pashchaataap ka baaton pe tu gaur to kar Kali naam ke MITHYA peeche SATYA kahin na jaane de Paap se tapti dhara pe hoga mera hi to saavan Kaatungi fir Chand-Mund main, dhara ke saare Ravan Paapon ka hisaab na hoga aisa na tum paalo bhram Kalki se pehle hoga mera hi aavahan [Krimal Acharya] Shiva duti svarupena hata daitya mahabale Ghor rupe maha rave Bhairavi namostute Lakshmi lajje maha vidye shraddhe pushti svadhe dhruve Maha ratri maha vidye Bhairavi namostute Sarva rupe sarva shakti aadi devi samanvite Bhaye bhya strahi no Bhairavi namostute Etat e mukham saumyam nayana traya bhushitam Patu nah bhiti bhyah Bhairavi namostute #bhairavi #hindirap #jaimatadi