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The Night Before & You Like Me Too Much (Recording Session), February 17th, 1965 скачать в хорошем качестве

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The Night Before & You Like Me Too Much (Recording Session), February 17th, 1965
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The Night Before & You Like Me Too Much (Recording Session), February 17th, 1965

February 17th, 1965 Studio Two, Abbey Road (2:00pm-11:00pm) P: George Martin. E: Norman Smith 2E: Ken Scott. The Night Before (2:00pm-7:00pm): 00:00 Take 1 (Post-chat) 00:04 Take 2 (Live)* 02:36 Take 2 (With First Vocal Overdub)° Extras: 05:08 First Vocal Mix° 07:40 Second Vocal Mix° 10:12 Production Acetate You Like Me Too Much (7:00pm-11:00pm): 12:50 Take 8 (Live)* Extra: 15:25 Production Acetate) = Reconstruction by TBRT. ° = Made by Lord Reith. Their third recording session of 1965, which is by extension also the third session for what became the soundtrack to their film “Help!,” was on February 17th of that year. This nine hour session began at 2 pm in EMI’s Studio Two, the first five hours being devoted entirely to Paul’s composition “The Night Before.” Official documentation only details two takes being needed to complete the song, which may sound puzzling since it took a total of five hours to fully record it. We need to remember, though, that these two takes were of the rhythm track only, which consisted of Ringo on drums and Paul on bass (track one), George playing rhythm on his Gretsch electric guitar and John on electric piano (track two). Once it was decided that "take two" was the better rhythm track, a healthy dose of overdubs were then recorded on top of it. These overdubs included the vocals, first Paul’s lead vocal with backing vocals from John and George (track three), and then Paul’s double-tracked lead vocals, Ringo on maracas and the guitar solo (track four). The solo portion of the song was left empty in the rhythm track which was then overdubbed here, “George and Paul are playing the same break exactly, both playing but in different octaves,” Lennon informed Melody Maker on February 27th, 1965. Therefore, as an overdub onto track 4, both George and Paul played the same guitar solo but one was an octave higher than the other. Paul played his Epiphone Casino guitar while George used his newly aquired Fender Stratocaster. The final seconds of the song feature a miniature reprise of this solo, which was recorded the same way. The first five hours were used to record Lennon and McCartney's song "The Night Before," while the final four hours (7 to 11pm) were utilized for George Harrison's "You Like Me Too Much." Eight takes were required to complete the song, "take eight" being deemed the best. Multiple overdubs, however, were considered necessary. George Martin's handwritten notes indicate that the rhythm track was recorded onto track one of the four-track tape. Interestingly, one element of the rhythm track was Paul on piano during the introduction of the song only, then switching to bass guitar for the remainder of the song. The rest of the rhythm track consisted of George on his Gibson acoustic guitar, Ringo on drums and John on tambourine. George's lead vocal was then overdubbed onto track two of the tape. Track three of the tape included some rather interesting overdubs. First off, John was apparently in the mood to play a Hohner electric piano (or Pianet) on that day because he played one both on "The Night Before" and "You Like Me Too Much," his performance on track three of this song ending up quite loud in the mix. This electric piano was played with a touch of reverb and a tremolo effect in the introduction which added a degree of modulated hiss in the first eight seconds of the song, ending with an audible "click" when the tremolo effect was turned off. Also, for the solo section of the song, George played lead guitar passages while Paul with George Martin, both playing the same Steinway piano at the same time, answered George Harrison's guitar phrases. This piano was run through a Hammond B-3's rotating Leslie speaker, which was an effect they used quite often later in their career for vocals and lead guitar (among other things). Onto track four Harrison double-tracked his lead vocals while John and Paul added harmonies, Paul's lower harmony being heard whenever the title is sung as well as during the bridge. This completed the song, the session being over by 11 pm that evening. beatlesebooks.com

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