Froberger, Toccata in A minor, FbWV 101 (Vartolo, Stella Liitzler) скачать в хорошем качестве

Froberger, Toccata in A minor, FbWV 101 (Vartolo, Stella Liitzler)

Johann Jacob Froberger (bap.1616-died.1667) was the foremost mid-17th-century German composer of keyboard music. Although the documentation of his life is a bit fragmentary, we know he was the court organist in Vienna under Holy Roman Emperor Ferdinand III. He traveled to Italy at least twice to study, first under Frescobaldi in Rome and later under other composers. Froberger also visited and performed in the Low Countries, England, France, and different parts of Germany. He crafted a distinctive personal style from Italian, French, and German keyboard music elements. After his death, he held great posthumous renown. His music was especially respected in 18th-century Germany, with J.S. Bach and even Mozart owning copies of his music. Almost all of his works are for keyboard (Organ, Harpsichord, or Clavichord). His catalog includes toccata, suites (which he either pioneered or created), capriccios, fantasias, canzonas, and various single-moment pieces like the Lamentation on the Death of Emperor Ferdinand III. Froberger’s toccata usually opens with an improvisatory section (stylus fantasticus), generally starting with block chords intended to be freely embellished as Frescobaldi directs (slowly and arpeggiated). These opening sections are striking in their originality. Following is a contrasting section built from a motif treated in quasi-contrapuntal imitation, often termed ‘imitative homophony,’ rhythmically sharply profiled, somewhat playful in character. The improvisatory style briefly returns to transition into another imitative section that treats the same motif in a rhythmically varied form. Another similar short bridge may lead to a third variation of the motif, but this piece does not. The toccatas conclude with a brief improvisatory passage leading into an elaboration of the final cadence. It is the improvisatory sections rather than the imitative episodes that are particularly. Froberger’s toccatas are influenced by Frescobaldi, such as the use of 3-2 sequences and the slow arpeggiated opening chords. Yet they are different. Froberger used fewer but longer sections instead of Frescobaldi’s higher quantity but short sections. Froberger focuses more on central tonality than Frescobaldi. Time stamps and structure Vartolo (Harpsichord)- 00:00 A (stylus fantasticus) - start B (Fugue I, subject is a rising and descending arpeggio) - 01:52 Bridge (styled similar to the A section) - 03:16 C (Fugue II, based on the subject of the first fugue, but now in compound time) - 03:40 Coda (brief and also styled freely like the A section) 04:47 Stella (Organ) - 05:23 Liitzler (Clavichord) - 10:25 Links: Sergio Vartolo:    • Libro di toccate, fantasie, canzone, ...   Simone Stella:    • Toccata in A Minor, FbWV 101   Philippe Liitzler (starts at 6:42):    • Introduction to the Clavichord, prese...   The score videos published on my channel are solely for educational and NOT commercial purposes. If, for any reason, you deem a video on my channel violating copyright, please inform me immediately before you submit a copyright claim to YouTube, and I will remove the video. #classicalmusic #fy #fypage #fyp #classical #musician #score #classical #yt #youtube #good #contentcreator #content #like #comment #subscribe #baroque #piano #sonata #toccata #keyboard #earlymusic #beginner #old #shorts #arrangement #recording #trending #real #organ #new #video #viral #tictok #instagram #awesome #videos #shorts #clavichord