Katie Gately - Brute [Houndstooth] скачать в хорошем качестве

Katie Gately - Brute [Houndstooth]

Experimental musician and producer Katie Gately returns with a fresh collage of captured sounds, announcing details of her new album 'Fawn / Brute' out on March 31st. Along with this announcement Katie has shared the album’s two title tracks, a double single of the album’s title tracks, “Fawn” and “Brute”. The new album is 11 songs of innocence and experience exploring the light and dark of childhood energy following the birth of her first daughter. It is an album of two halves, that moves from the effervescence of early years to the defiance and turbulence of teenage angst. The album is dedicated to Gately’s young daughter Quinn, born in 2021 and single "Fawn", taken from the first half of the album, is a love letter to her. Meanwhile accompanying single "Brute" embodies the darker second half of the record, its massive basslines constructed from the manipulated rattling of cardboard shoeboxes. In typical maverick style, Gately plundered cartoon sound libraries magpie-like to build signature nests of sounds, integrating her own idiosyncratic sound recording strategies and sampling techniques, from shoeboxes to theremin and with a boisterous recurring saxophone. ------------------ The album is her second for us here at Houndstooth, following critically acclaimed 2020's ‘Loom’, made in the wake of her mother's death. But where that album explored grief and long goodbyes, this album is one of play, embracing unstable mood shifts from joy to fury, embracing the energies of childhood and intensity of new life. Previous to ‘Loom’ and ‘Color’, Katie also released 12”s and a cassette on a number of notable underground labels – Public Information and Blue Tapes, as well as the critically acclaimed FatCat Split Series. Katie is also a producer, who worked on Serpentwithfeet’s Soil (2018), and she has produced and remixed for both Björk and Zola Jesus, with Björk saying in an interview that she was struck by how Gately’s productions seemed to be “from a microphone point of view”. She was also part of Mary Anne Hobbs' curated ‘Queens of the Underground’ Festival in Manchester (2019) alongside Houndstooth musician Aisha Devi and is currently living in Pasadena and teaching at Calarts and USC’s School of Cinematic Arts. LYRICS: I’m gonna rub the salt into a wound today Rip it apart, the heart was meant to play I’m gonna rub the salt into a wound today Something about the halt of a holy freight Dream through a wall again Dream through it all Scream through the parlor’s den Scream through the wall No one’s gonna find my heart this way No one’s gonna break my heart Speak up when you’re feeling bad, Your heart’s in a hovel, heaving up a cloud Speak up when you’re feeling bad, Your heart’s in a pickle, prickled by a prowl I sold my soul to you, my soul to you I sold my soul to you, my soul to you I soiled my soul for you, my soul for you I soiled my soul for you, my soul for you Holler and holler and holler we’re had Bit by a substance that drove us quite mad Farther and farther and farther we fled Flung from the wings of a wicked white bread Rip it up, kick it up give us the score Can’t trust a carrot to lead you to shore Ripples of pitbulls will bat on your door Can’t trust a pusher to a portion your pour River, river solid as soil Halted, shouted, bolted and broiled River, river solid but soiled Hindered, spattered, unspoken and spoiled Out of sound, a silence swells Howls a hound of haunting bells Ribbons roped their bones to wells Held a cell for the spottiest spells Sun, sun where does she roam? Shifting and sifting about like a gnome River, river she wanted a home Held her own hand to not feel so alone