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Grateful Dead Hunter's Trix Volume 16 by Hunter Seamons Warfield Theatre San Francisco, CA March 31, 1983 Set 1 1 - Feel Like A Stranger 0:00 2 - Friend Of The Devil -> 8:15 3 - Little Red Rooster 17:05 4 - Dupree's Diamond Blues 26:07 5 - Me And My Uncle -> 31:09 6 - Big River 34:11 7 - West L.A. Fadeaway 39:56 8 - My Brother Esau 46:32 9 - Don't Ease Me In 52:41 Set 2 10 - Lost Sailor -> 55:57 11 - Saint Of Circumstance -> 1:03:01 12 - Far From Me 1:09:45 13 - Terrapin Station -> 1:14:05 14 - Drums -> 1:26:50 15 - Space -> 1:34:32 16 - The Other One -> 1:41:56 16 - Throwing Stones -> 1:48:02 17 - Wharf Rat -> 1:55:41 18 - Around And Around -> 2:04:59 19 - Good Lovin' 2:08:56 Encore 20 - Brokedown Palace 2:17:24 *Note: This account is not managed by Hunter and I take no credit for his work. I am just making it available here for more people to enjoy. You can also find Hunter's Trix volumes on archive dot org and shnflac dot net. Hunter's Notes: ------------------------------------------------------- Matrix ---------------------------------------------------- SBD: Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller Post Processing by David Minches [email protected] April 28, 2006 ---------------------------------------------------- AUD: Recording Info: (FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> CD -> EAC -> SHN 2 Discs SHN / 2 Discs Audio All transfers done by Charlie Miller shn conversion done 5/22/03 --------------------------------------------------- Thank you to Charlie Miller for the SBD and AUD transfers. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 15, 2008 Notes: 1) One momentary cut in the AUD during Drums into Space. One brief cut in the SBD during Space. 2) Fades were used to create a "seamless" AUD track. 3) There are several atomic Phil bombs during Terrapin and Other One. 4) Jerry Garcia on "matrix" recording in 1981 regarding the Dead Set and Reckoning albums: "It's a remarkable process that gives [the recording] a three-dimensionality that is uncanny - it really does...It's actually superimposed, the best of both worlds: the close mic sound of being right on stage, you know, and the thing of being in the room and the way the room, what the room does - those things superimposed on each other, you know, in various relationships. It's pretty much like being there."