Sound Design Showreel | Sam Barnes Audio скачать в хорошем качестве

Sound Design Showreel | Sam Barnes Audio

Thank you for watching my sound design showreel! If you're interested in hiring me or have any relevant opportunities available, feel free to contact me via email: sambarnesaudio@gmail.com No audio from the original games is in either clip. Below I've included further detail about each clip and how I went about redesigning the audio: Ori and the Will of the Wisps (Moon Studios) For this redesign, I wanted to develop my skills in organic sound creation, and pushed myself to create and record almost every sound I used (~95%). Here are some examples of how I went about this process: Single/Double Jump - I recorded "woosh" sounds of various kitchen utensils (spatula, whisk, spaghetti server, tongs etc) to emulate the motion of the character. For the single jump I settled on layering the spaghetti server and whisk recordings; I layered these with a harsh outward breath and a recording of two pieces of paper brushing against each other. For the double/spinning jump I used the same utensils; I tied them to a string and spun the like a lasso to emulate the spinning jump's motion. Bounce Pad - I layered many different sounds: a bass thud made vocally by extending a "p" plosive sound; the spinning "woosh" from the double jump; various "woosh" sounds from the single jump; hollow airy instruments from Omnisphere; a milk churner lid being slid off; a tom drum; various metallic utensils being slid against each other; and finally a bell-like instrument from Omnisphere. Outer Wilds (Mobius Digital) For this redesign I utilised various methods of sound creation/sourcing including recording, sample manipulation, digital synthesis and internet-sourced samples. For example: For the sound of the rockets I layered various textures and samples including a fighter jet take off, a recording of me blowing a hair dryer straight into the mic, airy/fiery textures and instruments from Omnisphere and a bassy rumble. For the sound of the character putting on the space suit I recorded various cloth sounds (utilising two coats and a softer jumper) and layered those with recordings of two different belt buckles and two zips, and a sample of air hissing followed by a click to signify the helmet sealing.