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Lecture 6: Johannes Vermeer’s View of Delft: The Prose and Poetry of View Painting

Johannes Vermeer’s View of Delft (ca. 1660–61): The Prose and Poetry of View Painting Johannes Vermeer invented no new subjects; instead, he transformed the familiar subjects he inherited by using techniques that suffused them with a kind of visual magic. The View of Delft, his city view in the collection of the Mauritshuis, The Hague, is based on a long tradition of topographical paintings, none of which has the same unforgettable effect. Walsh investigates what sets this painting apart.