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Every Hollywood Colorist Uses This (Live training)

In today's episode of Grade School, you'll learn how to work with images not like a colorist, but like a [REDACTED], helping you get more cinematic grades every time. ••••••••• Grab my exposure chart DCTL here (free): https://procolor.ist/exposure-dctl Get the full mindset of a colorist by reading my ebook, "The Colorist's Ten Commandments": https://procolor.ist/ebook Ready to move from grading shots to creating looks? Get a free trial of Contour, my look design plugin for Resolve that uses battle-tested, Hollywood color science: https://procolor.ist/contour-official ••••••••• You can also grab my free Kodak 2383 film LUT for free: https://procolor.ist/freelut Check out my Voyager LUT pack here: https://procolor.ist/voyager-lut-pack 0:00 Introduction 2:26 Cinematography core concepts 12:17 Translating cinematography concepts to Resolve tools 40:00 When NOT to think photographically 45:30 What's the difference between setting luma mix to 0 and only using the Y channel in the curves? 50:50 Why are you using the dropdown menu to change the color space of a node instead of using a color space transform sequence in nodes? 52:50 Is there a way to show stops using the curves? 56:46 When do we use offset instead of linear gain? 1:00:35 Conclusion