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Ottorino Respighi - Ballata delle Gnomidi (audio + sheet music) скачать в хорошем качестве

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Ottorino Respighi - Ballata delle Gnomidi (audio + sheet music)

Ottorino Respighi (1879 - 1936) had already begun to attract international attention for his orchestral tone poem Fontane di Roma (Fountains of Rome) (1917) when he wrote this grotesque orchestral work that was destined to remain virtually unknown. It is in the Romantic era tradition of unscrupulous females who lure helpless males to their destruction -- think of Carmen, Delilah, The Queen of Shemakha, and Balakirev's Tamara. It is the last-named of these that is closest to Respighi's Gnomes in detail: Tamara is a lives in a castle over the river. She entices travelers in, and by morning light tosses their mangled corpses into the waters below. The difference here is that the huntresses and their prey in this story are all grotesque and unsympathetic, being ugly gnomes. (The Italian title, which can be translated either Ballad of the Gnomes or Dance of the Gnomes) uses the word "gnome" in feminine plural form.) The basis of the orchestral work is a poem by Claudio Clausetti (1869 - 1943). Clausetti was a major figure in music publishing. A lawyer, he was also a director of the firm of G. Ricordi, then and since the biggest music publisher in Italy, with a near-monopoly on opera. In 1920, Respighi expressed an interest in making an orchestral poem out of the subject. Clausetti expanded his nine-stanza poem into a larger version, which Respighi placed as the preface to his score. From the poem it is surmised that among the gnomes there is a ritual whereby two females select a hapless male and drag him into their abode for a fatal ménage a trois. The other gnomes remain outside in hordes, waiting. The reader is not told exactly what goes on in the dark bedchamber, but it ends with the male's death-shriek. Silence lasts until dawn. Then the two females emerge carrying his bloodied corpse in a monstrous cortège, followed by the other gnomes, who mutter twisted prayers. They climb a hill to an ocean cliff and toss the body over. Then the two widows lead their followers in a mad dance. They all go into a frenzy, like a Witches' Sabbath. The composition was first played in Rome on April 11, 1920, under the baton of Bernardino Molinari, a frequent champion of Respighi's new works. The music follows the grisly action of the poem in dramatic, colorful fashion. His mastery of orchestration, already well demonstrated in Fountains, here depicts whoops, shrieks, and cackling laughter. Latter-day commentators have noted the similarity between the violin glissandos for the murder here and in Bernard Herrmann's score for the film Psycho. The original performance was not well received. However, Arturo Toscanini, a frequent champion of Respighi, took up the score and played it frequently in the 1920s, and was joined in this enthusiasm by Fritz Reiner. However, by the mid 1930s, it has essentially disappeared from the repertory until its revival in 1992 by Australian conductor Geoffrey Simon. (AllMusic) Please take note that the audio AND sheet music ARE NOT mine. Feel free to change the video quality to a minimum of 480p for the best watching experience. Original audio:    • Ottorino Respighi: Ballata delle Gnomidi (...   (Philharmonia Orchestra, cond. Geoffrey Simon) Original sheet music: imslp.org/wiki/Ballata_delle_Gnomidi_(Respighi%2C_Ottorino) (G. Ricordi, 1920)

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