I shot Salman Khan, Shilpa Shetty and Abhishek Bachchan without makeup | Ravi Varman скачать в хорошем качестве

I shot Salman Khan, Shilpa Shetty and Abhishek Bachchan without makeup | Ravi Varman

Ravi Varman is one India's top cinematographers.​ In this two-part video, he talks about his struggling days, moving on to early films like Jalamarmaram, Shantham and Armaan. He describes how he developed a cinematographic eye and how he acquired his learnings from big and small films. He talks about being inspired by painters like Rembrandt. And he speaks about special shots and moments from the films he worked on: Jalamarmaram, Santham, Five Star, Armaan (with Anil Kapoor and Amitabh Bachchan), Kilichundan Mampazham, Phir Milenge (with Salman Khan and Abhishek Bachchan), Autograph, Anniyan (with Vikram and Shankar), Vettaiyaadu Vilaiyaadu (with Kamal Haasan and Gautham Menon), Dasavathaaram, Villu (with Vijay), Barfi! and Jagga Jasoos (with Ranbir Kapoor and Anurag Basu), Goliyon Ki Raasleela Ram-Leela (with Sanjay Leela Bhansali), Ugramm, Tamasha (with Ranbir Kapoor and Deepika Padukone) and Kaatru Veliyidai (with Mani Ratnam and Karthi). His upcoming films include Sanju and Indian 2. Visit us at http://filmcompanion.in Do Like, Share, Comment & Subscribe to our channel. Subscribe: http://bit.ly/FCsubscribe Follow Us On:   / filmcompanion     / filmcompanion     / filmcompanion   The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism and review of cinema and towards such purpose the programs use short extracts of cinematograph films, sounds recording and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the compete work by the owners of the copyright. The use of works are in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we asset our use of the works under the exception provided for criticism and review.