Oskar Schlemmer 奧斯卡·施萊默 (1888 - 1943) Constructivism German скачать в хорошем качестве

Oskar Schlemmer 奧斯卡·施萊默 (1888 - 1943) Constructivism German

[email protected] Oskar Schlemmer Stuttgart 1888-Baden-Baden 1943 After an apprenticeship in a marquetry workshop from 1905 to 1909 Oskar Schlemmer studied at the "Kunstgewerbeschule" as well as the "Akademie der Bildenden Künste" in Stuttgart, where he became Adolf Hölzel's master pupil in 1912. He exhibited at the Gallery "Der Sturm" in Berlin in 1919 and was invited to Weimar in 1920 by Gropius to run the sculpture department and the stage workshop at the Bauhaus. He became internationally known with the première of his "Triadisches Ballett" in Stuttgart in 1922. His work for the Bauhaus and his preoccupation with the theatre are an important factor in his work, which deals mainly with the problematic of the figure in space. People, typically a stylised female figure, continued to be the predominant subject in his painting. Influenced by Cubism, he usually integrated this figures into geometric structures. A similar striving for abstraction is reflected in Oskar Schlemmer's steel and wire sculptures. Schlemmer spent the years 1928 to 1930 working on nine murals for a room in the Folkwang Museum in Essen. After Gropius' resignation in 1929 Schlemmer also left the Bauhaus and accepted a post at the Akademie in Breslau in the same year. He was given a professorship at the "Vereinigte Staatsschulen" in Berlin in 1932, but the National Socialists forced him to resign again in 1933. During the War Oskar Schlemmer worked at the "Institut für Malstoffe" in Wuppertal together with Willi Baumeister and Georg Muche. He led a secluded life at the end of his career and made the small series of eighteen mystical "Fensterbilder" in 1942. Oskar Schlemmer was one of the most versatile artists of the 20th century. His occupation with murals, sculpture, drawing and painting show that he always strove to create a "Gesamtkunstwerk". 奧斯卡·施萊默默斯圖加特1888年巴登 - 巴登1943年 在1905年至1909年的鑲嵌車間進行學徒訓練後，Oskar Schlemmer在斯圖加特在“Kunstgewerbeschule”以及“Akademie der BildendenKünste”學習，1912年成為AdolfHölzel的大學生。 他在1919年在柏林的畫廊“Der Sturm”展出，並於1920年被Gropius邀請到魏瑪，在包豪斯經營雕塑部門和舞台工作室。他在1922年在斯圖加特成為他的“Triadisches Ballett”首演的國際知名人士。 他對包豪斯的工作和他對劇院的關注是他工作中的一個重要因素，主要涉及空間數字的問題。人們，通常是風格化的女性人物，在他的畫中繼續是主要的主題。受立體主義影響，他通常將這些數字整合到幾何結構中。 Oskar Schlemmer的鋼鐵雕塑體現了類似的抽象。 Schlemmer花了1928年至1930年在埃森的Folkwang博物館工作九個壁畫的房間。 Gropius在1929年辭職之後，Schlemmer也離開了包豪斯，並在同一年接受了位於Breslau的Akademie的一個職位。他在1932年在柏林的“Vereinigte Staatsschulen”被授予教授，但國家社會主義者迫使他在1933年再次辭職。 在戰爭期間，Oskar Schlemmer與Willi Baumeister和Georg Muche一起在伍珀塔爾的“Malstoffe學院”工作。 他在職業生涯結束時領導了一個僻靜的生活，並於1942年製作了十八個神秘的“Fensterbilder”系列。奧斯卡·施萊默（Oskar Schlemmer）是二十世紀最多才多藝的藝術家之一。他的壁畫，雕塑，繪畫和繪畫的職業表明，他一直努力創造一個總體藝術作品“Gesamtkunstwerk”。