Reynaldo Hahn: Le Rossignol Éperdu / The Bewildered Nightingale (reference record.: Catherine Joly) скачать в хорошем качестве

Reynaldo Hahn: Le Rossignol Éperdu / The Bewildered Nightingale (reference record.: Catherine Joly)

Reynaldo Hahn (1874-1947) Le Rossignol Éperdu Le Rossignol Éperdu (1898-1910) I. Première Suite 00:00 Soleil d'automne 02:03 Les Deux Écharpes 03:00 Liebe ! Liebe ! 03:45 Chanson de Midi 05:03 Never more 06:31 Portrait 07:10 L’Enfant au Perroquet 08:38 Ivresse 10:04 L’Arôme suprême 11:34 Ouranos 13:31 Les Héliotropes du Clos-André 14:48 Effet de nuit sur la Seine 16:15 Per i piccoli canali (Venise) 20:59 Mirage 22:24 Chérubin tragique 24:13 Les Chênes enlacés II. Orient 26:52 Narguilé 29:38 Les Chiens de Galata (Effet de nuit sur la Corne d'Or) III. Carnet de Voyage 32:50 L’Ange Verrier (Cathédrale de Bourges - vitraux) 35:35 Faunesse dansante (Le Rosso - Palais de Fontainebleau) 36:59 Les Noces du Duc de Joyeuse (Musée de Versailles) IV. Versailles 39:13 Le Réveil de Flore 41:47 Le Banc songeur 44:33 Adieux au soir tombant (duo mimé) 46:43Le Pèlerinage inutile Piano: Catherine Joly Recorded in 1988, at Paris New mastering in 2026 by AB for CMRR 🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): https://cutt.ly/5eathESK 🔊 Find our entire catalog on Qobuz: https://cutt.ly/geathMhL 🔊 Discover our playlists on Spotify: https://cutt.ly/ceatjtlB ❤ Support us on Patreon   / about   Reynaldo HAHN remains, within the French repertoire, the often-cited model of the “minor master,” in the sense the term may be applied to painting: a craftsman of solid technique, capable of sketching pleasant landscapes with finesse and skill, yet whose influence has remained limited. It is a fact that this gifted pupil of Massenet never sought to revolutionize musical language, and that his artistic taste would always retain a fastidious prudence, markedly conservative in spirit. Reynaldo Hahn’s “standing” was considerably enhanced by his very close friendship with the writer who, in literature, would carve far deeper furrows to irrigate the twentieth century: Marcel Proust. Proust, who marveled at Debussy’s Pelléas through the théâtrophone, sensed its modernity but never managed to convince his friend Reynaldo. Reynaldo Hahn believed in the untouchable primacy of melodic expression. He was attached to a classical formulation whose line could bend only through tempered mannerism, caprice, or grace—never through speculation or a will to rupture. He would always fight energetically, notably in his famous Figaro chronicles signed “Clarendon,” against anything that seemed to him to stray from these principles of balance, which for him constituted a higher form of artistic “courtesy.” Cultivated, sharp-witted, and often biting, Reynaldo Hahn—lionized in the salons—remains for many the figure who conducted Mozart in white gloves. While his mélodies form the most widely disseminated part of his œuvre, his piano music, relatively limited in quantity, had remained for us entirely unknown: never reissued and very rarely performed. The greater part of the pieces included on this recording are presented here for the first time. COMPLETE PRESENTATION: LOOK THE FIRST PINNED COMMENT. Other Album available // Ravel: Complete Piano Works & Piano Concertos by Jean Doyen 🎧 Qobuz (Hi-Res) https://cutt.ly/9tbs5Hfw Tidal (Hi-Res) https://cutt.ly/Wtbs58Rx 🎧 Apple Music (Lossless) https://cutt.ly/jtbs6pOW Amazon Music (Hi-Res) https://cutt.ly/6tbs6LMa 🎧 Deezer (Hi-Fi) https://cutt.ly/Ltbs6brG Spotify (mp3) https://cutt.ly/atbs66Pt 🎧 Youtube Music (mp4) https://cutt.ly/8tbdqmwJ Rare composers playlist (reference recordings):    • Rare composers (XVII-XX Centuries)