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William Carlos Williams was an American poet, writer, and physician closely associated with modernism and imagism. He was born to an English father. Although he had lived in America, but he was born to an English father and a French mother. He was raised up there in America. The poem that we are going to talk about is one of his early poems that are written in imagist style of writing because in some points of his life, he left the imagist school or stopped being with this kind of movement. The poem is not written in the first person. The poet is giving us an idea about what the poem is going to be about. So, it is about the speaker, not in the voice of the speaker, but when we began reading, we can find that it is the voice of the speaker that can give us the whole poem. So, the words that are giving in this poem are given in a kind of monologue or what we can call a stream of thoughts/ a kind of interior thinking as if the speaker is thinking and telling us of what she thinks of. The tone is deadening tone/ flat tone. The tone is unemotional; it is deadening. Williams believed that things are ideas. That is why he is using a combination of things here in the poem in order to tell us these ideas. Williams as well believed that poems are like pictures. We can notice in The Red Wheelbarrow such a notion or such a belief. He also believed that poems are machines made of words.