Goebbels I have created a monster - Hans Landa arrives | Inglourious Basterds [4k HDR] Scene скачать в хорошем качестве

Goebbels I have created a monster - Hans Landa arrives | Inglourious Basterds [4k HDR] Scene

Herr Goebbels, I haven’t informed her yet. GOEBBELS Unless the girl’s a simpleton, I’m sure she’s figured it out by now. After all, she does operate a cinema. Francesca, tell her. Francesca tells Shosanna in French: FRANCESCA What they’re trying to tell you, Emmanuelle, is Private Zoller has spent the last hour at lunch, trying to convince Monsieur Goebbels to abandon previous plans for Private Zoller’s film premiere and change the venue to your cinema. Zoller reacts. FRANCESCA (FRENCH to Zoller) What? FREDRICK I wanted to inform her. FRANCESCA Shit. I apologize, Private. Of course you did. GOEBBELS (GERMAN to Francesca) What’s the issue? FRANCESCA The young soldier wanted to inform the mademoiselle himself. GOEBBELS Nonsense. Until I ask a few questions, he has nothing to inform. Let the record state, I have not agreed to a venue change. MAJOR HELLSTROM Duly noted. Goebbels speaks German to Shosanna: GOEBBELS You have opera boxes? SHOSANNA Oui. GOEBBELS How many? SHOSANNA Three. GOEBBELS More would be better. How many seats in your auditorium? SHOSANNA Three hundred and fifty. GOEBBELS That’s almost four hundred less than The Ritz. Fredrick jumps in . . . FREDRICK But Herr Goebbels, that’s not such a terrible thing. You said yourself you didn’t want to indulge every two-faced French bourgeois taking up space currying favor. With less seats it makes the event more exclusive. You’re not trying to fill the house, they’re fighting for seats. Goebbels listens silently, then after a bit of a pause: I draw an older German audience in my cinema that appreciates the nostalgia of an earlier time. Francesca interprets . . . GOEBBELS That’s nonsense, Fräulein. We Germans are looking forward, not backward. That era of German cinema is dead. The German cinema I create will not only be the cinema of Europe, but the world’s only alternative to the degenerate Jewish influence of Hollywood. Fredrick jumps in . . . FREDRICK Why don’t you screen “Lucky Kids”? I’m sure Emmanuelle hasn’t seen it. And it’s so funny. I’ve been meaning to recommend it to her, for her German night. That’s a great idea. Let’s watch “Lucky Kids” tonight. GOEBBELS Ahhh, “Lucky Kids,” “Lucky Kids,” “Lucky Kids.” When all is said and done, my most purely enjoyable production. Not only that, I wouldn’t be surprised if sixty years from now, it’s “Lucky Kids” that I’m the most remembered for. I know it doesn’t seem like it now, but mark my words. Very well, I’ll have a print sent over to the Fräulein’s cinema. We’ll screen “Lucky Kids” tonight. As Francesca interprets this for Shosanna . . . the empty chair next to the young Jewish girl is suddenly filled with the bottom half of a gray S.S. officer uniform. GOEBBELS Ah, Landa, you’re here. This is the young lady in question. The S.S. officer sits down, and it’s our old friend from the first scene, COL. HANS LANDA. FRANCESCA That’s what we need, pigs that can root out Jews. COL. LANDA Who needs pigs when you have me? Big, hearty laugh around the table. GOEBBELS Do you have an engagement tonight? COL. LANDA Well, as a matter of fact, I do— GOEBBELS —Break it. We’re all going to the fräulein’s cinema tonight to view “Lucky Kids.” COL. LANDA Splendid. Then the Reich minister’s companion, Mademoiselle Mondino, interrupts: FRANCESCA And now I must get Reich Minister Goebbels to his next appointment. GOEBBELS Slave driver! French slave driver! They all chuckle. Everybody begins to stand up from the table . . . Francesca gathers the stupid dogs . . . As Col. Landa stands, he says: COL. LANDA Actually, in my role as security chief of this joyous German occasion, I’m afraid I must have a word with Mademoiselle Mimieux. Mademoiselle Mimieux’s eyes go to Private Zoller, who responds. FREDRICK What sort of discussion? COL. LANDA That sounded suspiciously like a soldier questioning the order of a colonel? Or am I just being sensitive? FREDRICK Nothing could be further from the truth, Colonel. Your authority is beyond question. But your reputation precedes you. Should Mademoiselle Mimieux or myself be concerned? GOEBBELS Hans, the boy means no harm, he’s simply smitten. And he’s correct. Your reputation does precede you. All material belongs to their respective owners. Any and all ads that may appear during this video are set by video material owners and/or their associates. This channel never has nor will ever in the future be monetized. No business of any kind is possible so please don't contact us about it. The only reason email is provided in 'About' section is for owners of the movies to be able to contact us. Fair use. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.