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Join me in The National Gallery in London as we dissect one of the most puzzling and disturbing paintings of all time: Agnolo Bronzino’s ‘Allegory with Venus and Cupid’ of c.1545. As promised, here is the link to my thesis: https://www.academia.edu/41650733/The... BUY MY BOOK: 'Love, Heartbreak, & Tragedy in Art': https://www.aboutartbytatyana.com/sin... This video is the seventh vlog of my new series in which I talk about art in a way that is accessible, fast and fresh. Please subscribe to my channel for similar videos! Make sure to check out my Instagram and Blog (down below) for more fast-paced, educational posts on art around the world. Filmed in London, England (by me). Edited by me. Research and transcript by me. Music by Shanaya Serraino. INSTAGRAM: @aboutart.tks BLOG AboutArt: https://www.abourtart.com/ FACEBOOK: / aboutart.tks PERSONAL WEBSITE: https://tatyanakalaydjianserraino.aca... #bronzino #allegoryoflove #nationalgallery #artinlondon #florentinepainting #humanism #paintedmasks My Bibliography: Bosch, Lynette M. F., “Bronzino’s London ‘Allegory’: Love Versus Time,” Notes in the History of Art, 9/2 (1990), 30-35. Brock, Maurice, Agnolo Bronzino, Bronzino, Flammarion, 2002. Cheney, Iris, “Bronzino’s London ‘Allegory’: Venus, Cupid, Virtue, and Time,” Notes in the History of Art, 6/2 (1987) 12-18. Conway, J. F., “Syphilis and Bronzino’s London Allegory,” Journal of the Warburg and Courtauld Institutes, 49 (1986) 250-255. Healy, Margaret, “Bronzino’s London ‘Allegory’ and the Art of Syphilis,” Oxford Art Journal, 20/1 (1997), 3-11. Hope, Charles, “Bronzino’s Allegory in the National Gallery,” Journal of the Warburg and Courtauld Institutes, 45 (1982) 239-243. Levey, Michael, "Sacred and Profane Significance in Two Paintings by Bronzino", Studies in Re- naissance and Baroque Art Presented to Anthony Blunt on his Sixtieth Birthday, London, 1967, 30-33. Mendelsohn, Leatice, “Saturnian Allusions in Bronzino’s London ‘Allegory’,” in: M. Ciarolella and A. Iannucci, eds. Saturn from Antiquity to the Renaissance, Ottawa, 1992, 101-50. Panofsky, Erwin, Studies in Iconology, New York, 1939, and New York, 1962. Plazzotta, Carol and Larry Keith, “Bronzino’s ‘Allegory’: New Evidence of the Artist’s Revisions,” The Burlington Magazine, 141/1151 (1999), 89-99. Smith, Graham, “Jealousy, Pleasure and Pain in Agnolo Bronzino’s ‘Allegory of Venus and Cupid’,” Pantheon 39 (1981), 250-58. Smithson, Robert, “Bronzino’s ‘Cosimo de’ Medici as Orpheus,” Philadelphia Museum of Art Bulletin 81 (1985), 17-27. . . . FULL DISCLOSURE: The content in this video features exclusively the opinion of the author of the transcript, and may not be relied upon for any use or purpose outside of this video which is made for entertainment and educational purposes only. . . . IMAGES: 1. An Allegory with Venus and Cupid – https://www.nationalgallery.org.uk/pa... 2. The Judgment of Paris - https://www.museodelprado.es/en/the-c... 3. Venus and Cupid https://commons.wikimedia.org/wiki/Fi... 4. Michelangelo Cartoon - https://www.accademia.org/explore-mus... 5. Medici court Florence - https://www.pinterest.it/pin/49363680... 6. Cosimo I de Medici - https://it.wikipedia.org/wiki/Cosimo_... 7. Bronzino portrait - https://en.wikipedia.org/wiki/Bronzin... 8. School of Athens (humanism) - https://www.google.com/search?q=rapha...