II. Interlude - Sonata à la manière de Francis Poulenc by Wijnand van Klaveren скачать в хорошем качестве

II. Interlude - Sonata à la manière de Francis Poulenc by Wijnand van Klaveren

Van Klaveren's sonata in the style of Poulenc is a welcomed addition to the saxophonist's repertoire, and it is full of the textures, colors, and whimsically-natured melodies that we associate with Francis Poulenc's writing. Van Klaveren's sonata reaches back in time to offer us a work from Francis Poulenc, who wrote sonatas and trios for nearly all of the woodwind instruments, yet did not write for the saxophone. I. Allegro II. Interlude III. Rondeau à a française Licensed by kind permission of Resolute Music Publications Bob Eason: Hailed by Fanfare magazine for his “exceptional feel for elegance, wit… and tonal beauty,” Bob Eason is an Indianapolis-based saxophonist. His primary teachers include Otis Murphy, Dan Gelok, Valerie Vidal, Karen Wylie, Chris Patterson, and Theron Sharp. Bob is the soprano saxophonist and founding member of the Kenari Quartet, an ensemble that has garnered acclaim through engaging performances, festival and educational residencies, and commissioning projects. Bob Eason is an Endorsing Artist for Légère Reeds, and plays exclusively on the Signature Series reeds. Michael Seregow: A native of the Pacific Northwest, pianist Michael Seregow enjoys a multifaceted career as a performer, teacher, clinician, and recording artist. Currently a member of both the music and theatre faculties at Ball State University, he has also served on the keyboard faculties at Washington State University, University of Puget Sound, and University of Oregon. Having been named a finalist in both solo piano and chamber music for The American Prize, a national competition in the performing arts, Dr. Seregow maintains an active performance career, performing a diverse selection of repertoire spanning from the late renaissance through works by composers of today. A musician of uncommon versatility, Seregow has received formal training in a variety of keyboard instruments other than piano including harpsichord, fortepiano, and organ, in addition to studies in jazz piano, basso continuo, historical performance practice, and composition.