Johann Strauss: Die Fledermaus скачать в хорошем качестве

Johann Strauss: Die Fledermaus

"You've never heard Die Fledermaus like this before" promises Artistic Director Prof. Ekhart Wycik. "Because we are telling the story in a completely new way." The Weimar University of Music's concertante production of ‘Die Fledermaus’ was performed by 20 students from the Department of Voice and Music Theatre, as well as the university choir and the university orchestra under the direction of Ekhart Wycik. The tango ensemble ‘II Pipistrello’ with accordion and the vocal ensemble ‘Die Katze im Sack’ as musical guests at Prince Orlofsky's ball also provide an extended palette of colours. At the centre of the three-act plot is an elaborate game of mistaken identity at the ball. Aristocrats, commoners and maids come together in disguise. Included are not only alcohol in large quantities, but also lies, erotic slips, deceit and vendettas. The next morning, everyone meets again in prison and the culprit of the misery is quickly found: the champagne. Especially for this performances two school music students have rewritten the dialogues between the vocal parts in an original way. Paul Kohlmann and Noel Luther present the plot in an entertaining way. The operetta ‘Die Fledermaus’ by Johann Strauss is one of the most popular and most frequently performed stage works in Germany. It was first performed in Vienna in 1874 and is now regarded as the showpiece of the golden operetta era. The libretto was written by Carl Haffner and Richard Genée. The Austrian composer Johann Strauss, born in 1825, is known as the ‘Waltz King’. He composed world successes such as the waltz ‘An der schönen blauen Donau’, but also turned to the operetta genre relatively early on. He always remained true to his preference for dance music: it also comes to the fore in operettas such as ‘Die Fledermaus’. Cast: Gabriel von Eisenstein: Lunpo Cui / Felix Stöppler Rosalinde von Eisenstein: Anastasiia Doroshenko / Olga Großer Alfred Hagenbeck: Jongwoo Kim Alexander von Orlofsky: Luzia Ernst / Anna Grace Roth Adele Pichler: Leyli Alina Schöfer / Maria Schuliakowskaia Dr. Carl-August Falke: Nikolaas Schmeer Otto Frank: Lukas Sommer Dr. Bärbel Blinda: Pauline Hillebrandt moderation: Paul Kohlmann, Noel Luther piano: Ádám Baross Overall artistic direction: Prof. Ekhart Wycik Orchestra of the University of Music FRANZ LISZT Weimar University Choir Weimar, direction: Prof. Kerstin Behnke vocal ensemble "Die Katze im Sack", direction: Prof. Juan Garcia tango quartet „Il pipistrello“, direction: Prof. Claudia Buder Recording and editing were carried out by the recording studio of the University of Music FRANZ LISZT Weimar under the direction of Joachim Müller. The video shows the best versions from both performances on 27 and 28 April 2023. Ouverture - 00:00“ Chapter 1 (How Alfred went into jail cell No 12) - 09:00" No 1 Introduction Alfred „Täubchen, das esntflattert ist“ - 10:57“ No 2 Trio „Nein, mit solchen Advokaten“ - 13:00“ No 3 Duo „Komm mit mir zum Souper“ - 19:30“ No 4 Trio „So muss allein ich bleiben“ 23:49“ No 5 Finale „Trinke Liebchen, trinke schnell“ - 28:36“ Couplets „Mein Herr, was dächten Sie von mir“ - 34“26" Trio „Nein nein, ich zweifle gar nicht mehr“ - „sein schönes großes Vogelhaus" 37:03“ Chapter 2 (Marquis Rénard and his pocket watch) - 39:47“ No 6 Entr’acte and Ensemble „Ein Souper heut’ uns winkt“ - 41:10“ No 7 Couplets Orlofsky „Ich lade gern mir Gäste ein“ - 43:04“ No 10 Csárdás Rosalinde „Klänge der Heimat“ - 51:45“ No 11 Finale „Im Feuerstrom der Reben“ - 57:56“ „Brüderlein und Schwesterlein“ - 1:01:48“ Entr'acte - „Genug damit, genug“ - 1:06:07" Chapter 3 (The Austrian Chamber maid that developed into an Russian Oligarch to take acting lessons with a Thuringia jail guard) - 1:14:19“ No 8 Ensemble and Couplets „Ach meine Herr’n und Damen" - 1:18:08“ Couplets Adele „Mein Herr Marquis“ - 1:19:08“ Tango Ensemble „Il Pipistrello“ - 1:23:44“ Kodály: Intermezzo from „Háry János Suite“ - 1:27:37“ No 14 Couplets Adele „Spiel ich die Unschuld vom Lande“ 1:34:42“ Chapter 4 (happy end or the Corpus Delicti) - 1:39:36“ No 15 Trio „Ich stehe voll Zagen“ - 1:41:55“ No 9 Duo „Dieser Anstand, so manierlich“ - 1:51:42“ Chapter 5 (the Bat’s revenge) - 1: 56:30“ No 16 Finale „O Fledermaus, o Fledermaus, lass endlich doch dein Opfer aus“ - 1:59:20“ Applause 2:04:14"