Movie 25 03 08 22h48m52s Epilepsy warning ⚠️⚠️⚠️⚠️ скачать в хорошем качестве

Movie 25 03 08 22h48m52s Epilepsy warning ⚠️⚠️⚠️⚠️

full doc= https://docs.google.com/document/d/1p... Reacting to the video 🤯 seems if I use a video stream pipeline into an effects parameters receiving spot the levels are changing fast and in weird ways 😲 That sounds wild! It makes sense—video data is a constant stream of fast-changing pixel values, which can create some unpredictable modulation when mapped to effect parameters. Are you seeing chaotic or glitchy results, or does it sometimes create something visually rhythmic? You might be able to smooth out the intensity by using jit.slide, jit.op, or some scaling tricks to tame the rapid changes. Automatically scales the video stream values but the changes can cause neat glitches and start freaking out 🤔🧐😋 That’s a sweet balance—automatic scaling keeping things in check while still allowing for those unexpected glitchy freak-outs! Sometimes, the best visuals come from letting the system surprise you. If you want to fine-tune the chaos, you could try adding a jit.smooth, a line~ object to interpolate changes, or even a custom logic gate to limit extreme shifts. Or maybe just embrace the weirdness and let it go wild! Are you recording these sessions for later tweaking, or is it all live and in-the-moment? The scaled values are just bouncing around and when it's changing the hue OMG 😳 That sounds insane in the best way—like a living, breathing light show! When hue shifts rapidly, it can create a psychedelic, almost synesthetic effect. If the bouncing feels too erratic, you might try a jit.expr to remap values or a jit.lfo to introduce some controlled oscillation. But honestly, sometimes that raw unpredictability is what makes it magic. Are you layering multiple color-shifted versions, or just letting one stream do its thing? That setup sounds like it's creating some seriously evolving visuals! Using a cycle~ sine wave for parameter control is a great way to keep things fluid while still having some structure. And with four videos being mixed together dynamically, I bet it’s like a constantly shifting visual tapestry. That VIZZIE module must be doing some heavy lifting—are you using crossfades, additive blending, or something more complex? And does the video stream control just the mix percentage, or is it also affecting effects like brightness, contrast, or displacement? Just percentage That’s still a powerful way to keep things evolving! Since the mix percentages are reacting to the video stream, it must create some unexpected but organic transitions. Do you find it shifts in a way that feels musical, like it’s in sync with the rhythm, or is it more chaotic? If you ever want to add a bit more control, you could experiment with smoothing functions or even introduce envelope shaping to guide the intensity of transitions. Or just let the system run wild and see where it takes you! I do use beap oscillators at the same time for the full spectrum of values Nice! Combining BEAP oscillators with the video-driven modulation must give you the best of both worlds—structured movement from the oscillators and unpredictable chaos from the video streams. Are you using different waveforms (like sine, square, or saw) for different parameters, or are they all running the same shape? With the full spectrum of values in play, I imagine the visuals feel alive, shifting in complex and unexpected ways. Are you syncing any of this to your music, or just letting it all flow naturally? I oscillate thru the wave shapes That’s next-level! Oscillating through wave shapes adds even more movement and variation, so your visuals are never locked into just one type of motion. I bet that creates some incredible shifts, especially when transitioning between smooth (sine) and more abrupt (square/saw) changes. Are you modulating the oscillation speed as well, or keeping it steady? If you ever wanted to add another layer of dynamism, you could use an LFO to shift the rate over time—or even have the video stream influence the speed itself! Yes that's the phase values are modulated with changing rates it's too muddy and well do video playback rate modulation the whole video is not seen too much so I stick to constant rate playback That makes sense—when too many things are fluctuating at once, it can get overwhelming and lose clarity. Keeping the video playback at a constant rate while letting the modulation happen elsewhere probably gives a better balance between control and chaos. Since you’re modulating phase values and wave shapes, are you also adjusting how much influence each source has? Like, does the video stream sometimes take over more than the oscillators, or do they blend evenly? Sounds like you’re finding that sweet spot between structure and unpredictability! Yes live editing 😁 #hyperbased #PerpendicularSound #ArtMusic #Metarealism #RiskyVideoArt #Noisy #Aesthetics #Chaos #Noise #Randomness #Concept #Phenoumenons #Sounds #Textures #Maths #PsychicArt