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Grateful Dead Hunter's Trix Volume 177 by Hunter Seamons Community War Memorial Auditorium Rochester, NY September 27, 1976 Set 1 1 - Promised Land 0:00 2 - They Love Each Other 7:15 3 - El Paso 18:49 4 - Deal 23:58 5 - Looks Like Rain 31:12 6 - Row Jimmy 42:31 7 - Take A Step Back 52:42 8 - It's All Over Now 54:08 9 - Loser 1:00:17 10 - Lazy Lightning > 1:08:53 11 - Supplication 1:11:38 12 - Brown Eyed Women 1:18:34 13 - The Music Never Stopped 1:25:25 Set 2 14 - Might As Well 1:32:04 15 - Samson And Delilah 1:39:53 16 - Help On The Way > 1:48:10 17 - Slipknot! > 1:53:58 18 - Drums > 2:00:53 19 - The Other One > 2:06:45 20 - Wharf Rat > 2:16:53 21 - Slipknot! > 2:27:58 22 - Franklin's Tower >2:30:21 23 - Around And Around 2:48:10 Encore 24 - U.S. Blues 2:55:39 Note: This account is not managed by Hunter and I take no credit for his work. I am just making it available here for more people to enjoy. You can also find Hunter's Trix volumes on archive dot org and shnflac dot net. Hunter's Notes: ------------------------------------------------------ Matrix ----------------------------------------------------------------- SBD (shnid=87664): Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller July 18, 2006 Patch Info: Sony ECM-33P>Master Cassette>Dat>CD (shnid=3821) supplies: Promised Land (0m00s - 0m09s) It's All Over Now (0m00s - 3m09s) Loser (3m52s - 4m39s) Slipknot! (6m02s - 6m27s) Around And Around (0m36s - 1m49s) Notes: -- Set 2 is seamless -- Patch source was pitch adjusted to match sbd -- Fixed vocal distortion -- El Paso has a false start -- Supplication is instrumental -- First few seconds of U.S. Blues missing [as well as El Paso (false start was patched at beginning) and Looks Like Rain] ----------------------------------------------------------------- AUD (shnid=163759): Source Info: FOB Sony ECM-33Ps-> Sony TC-152-> Cassette-> DAT Unknown Taper Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1) Notes: New Transfer of same Microphone source as No. 003821. This one has a different lineage and does not have a CDR Source involved. This transfer seems to have less deck pauses and more lead in time. It has the same AUD Patch during Around & Around but also includes U.S. Blues that is missing from the other source. The older source has 30 seconds of redundant music that repeats for CDR changes...this one does not. It seems to have a smoother sound!...Tagged and in flac. Music Never Stopped cuts and fades out (Same as previous versions) All tracks are seamless [2-second cut near the end of Drums; 7-second cut in Franklin's Tower] Transfers and edits by Pete Ebel February 19, 2023 ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to Pete Ebel for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) May 5, 2025 Notes: Phil is low in the mix for Promised Land. The sound improves with They Love Each Other, after the band addresses "an annoying hum" in the sound system. The first 3m11s of It's All Over Now is AUD-only. Jerry's guitar and the vocal mics cut out late during Supplication (Jerry's guitar also has lower levels for a while before it cuts out). The guitar returns to the mix towards the end. The vocals return for Brown Eyed Women. The AUD cuts out at 2m55s of The Music Never Stopped. We patched some of the crowd reaction after Brown Eyed Women to the tail end of this track to maintain a matrix effect for the end of set 1. SBD clicks removed or reduced in They Love Each Other (4), The Music Never Stopped (2), and Help On The Way (1). There is a slight reverb "watery" effect in the guitars and vocals at times in the SBD recording, particularly during the second set. After a short cut in the SBD source near the end of the first Slipknot, there is a tonal shift where the sound becomes flatter and a little more left-channel heavy for the remainder of the recording. It seems like this could be a patch, but not sure. The matrix helps improve this lower quality sound. The AUD has a 2-second cut near the end of Drums and a 7-second cut in Franklin's Tower, from 0m27s to 0m34s. At 5m39s in Around And Around, the rest of the AUD is patched with a different, poor quality AUD source that was un-matrixable. This source was still used to patch the first 20 seconds of U.S. Blues, which was missing in the SBD source, as well as the encore break. A brief section is also used after the encore.