YAARAS یارس | Abdul Rashid Hafiz | Kashmiri Sufism | Kalam-e-Bashir Marazi скачать в хорошем качестве

YAARAS یارس | Abdul Rashid Hafiz | Kashmiri Sufism | Kalam-e-Bashir Marazi

یپأر یارس چُھ از یُن بہٕ پیارس براندٕ تلے ازل لأنِس چُھ پھیُر دیُن بہٕ پیارس براندٕ تلے مے روٹ اکھ مارٴٹِم داہ خبر ما چُھم ہیواں زاہ دوا شاید چُھ تس دیُن بہٕ پیارس براندٕ تلے یتُھے ڑیشن سُہ دلبر بہٕ تراوٕ یکدم پتھر سر بَرے چُھس میانہِ اژُن بہٕ پیارس براندٕ تلے سُہ ییلہِ نزدیٖک واتیم پنُن روخسار ہاویم یَلے پَتہٕ گوژھ نہِ تراوُن بہٕ پیارس براندٕ تلے تِمس مویہ خانہٕ سٕت سٕت ہیوان تَس نش وُچھم کٕت مے گوژھ اکھ دام از دیُن بہٕ پیارس براندٕ تلے چُھ تس حُسنُک سیٹھاہ بوش مے نیوٗ بیشک تمی ہوش گژِم نزدیک واتُن بہٕ پیارس براندٕ تلے مرأزِی بوٗز تَو کَتھ مےدل درٛامُت چُھ تس پَتھ یہ أس تن پاپ یا پُن بہٕ پیارس براندٕ تلے گلوکار - عبدل رشید حافظ کلامِ - وارثی بشیر مرازی ...................................................................................... نَہ لَل زایَس نَہ لَل پیایَس نَہ لَلِ کهو ووپل ہاکھ تہٕ ہند نَہ لَل سَنییس لُکھہٕ ہندٴس نیایس تَنِے لَل چَھس تاران دوُرِ دوُرِ کرتَھم ووُٹھ ماز رتَھے نزدیک وآتِتھ ہیوتہ تَھماہ  دور ییٖژ کیاہ لَل چَھس تارِ گأمٕژء راتھ ووٗتُم پراران (کلامِ - لل دید) جانانہٕ بہٕ تیلہِ مانہٕ ژٕ ییلہِ پانہٕ مے نِش یِکھ لکُھ ما دِنَم تیلہِ تانہِ ژٕ ییلہِ پانہٕ مے نِش یِکھ بوٗزم ژٕ آکھ سون گام سارنےٕ پِھران چُھکھ جام بہٕ تہِ رَٹہٕ اتَھس کیتھ بانہٕ ژٕ ییلہِ پانہٕ مے نِش یِکھ یِتہٕ یور کیاہ گژھِ جان پیشکش بہٕ تھاوَے پان سونہٕ سےٕ قدر تیلہِ زانہٕ ژٕ ییلہِ پانہٕ مے نِش یِکھ حُسنس ژے چھی کتٕی رنگ کم شیر کری تَھکھ دَنگ بہٕ تہِ کَرٕ زُلفن شانہٕ ژٕ ییلہِ پانہٕ مے نِش یِکھ اقرار کَر یِنہٕ کُے شر نیرہم دِلہٕ کُے بلہٕ ہا بہٕ چون دیوانہٕ ژٕ ییلہِ پانہٕ مے نِش یِکھ میونُے ژٕ بَن مہمان میتہِ نیرِ از ارمان غأبُک بَنہِ سامان ژٕ ییلہِ پانہٕ مے نِش یِکھ وعدٕ کر مرازِس پوٗر خبرے گژُھس شوپوٗر محنتس مزوٗر تیلہِ مانہٕ ژٕ ییلہِ پانہٕ مے نِش یِکھ کلامِ - وارثی بشیر مرازی گلوکار - عبدل رشید حافظ Almost half-a-century back, when young 𝗔𝗯𝗱𝘂𝗹 𝗥𝗮𝘀𝗵𝗶𝗱 𝗛𝗮𝗳𝗶𝘇 wanted to become a Sufiyana singer, the first resistance came from his father – a Namda weaver with meagre income. Hafiz’s dream meant instant loss of one earning hand to the family. Being the only son, Hafiz worked with his father, doing needle work on the Namdas – a carpet made with felting – to keep the hearth burning. Hafiz, who has ever since become a household name in Kashmir for his magical voice, clearly remembers a night in 1967, when he attended a Sufiyana mehfil organized by his neighbour Rehman Malik, on the birth anniversary of prophet Muhammad (SAW). “I was 13 then. Throughout the night I listened to famous Sufi singer Ghulam Ahmad Sofi (Amme Sofi) with awe reverence. It was during that night I decided to become a singer,” recalls Hafiz. With his goal set Hafiz was upbeat to learn singing. But he had no idea how to become one. “It took me a while to convince my father that singing is not bad, in terms of earnings as compared to Namda needle work,” says Hafiz. Despite his father’s go ahead, there was a small issue still to be tackled: Hafiz had no money to buy a harmonium – a pump or reed organ, considered basic instrument for Sufiana singers. To fulfil his dream Hafiz took a loan of Rs 25 to buy a harmonium. “I worked extra hours during night for next 45 days to repay the loan,” remembers Hafiz. After buying harmonium, half the battle was won for Hafiz. Now the question was: who will teach Hafiz to play it. “I visited a number of singers and instrumentalists to learn how to play a harmonium,” recalls Hafiz. The next phase of Hafiz’s life was equally difficult.  By 1977, Hafiz managed to get invitations as ‘filler’ at big Sufiana mehfils. He was paid between Rs 1 and 5 for an hour’s performance. “There were no takers for Sufiana singers then. There was no respect. It was literally a fight for survival,” recalls Hafiz. In 1979, Hafiz gave an audition for Radio Kashmir, Srinagar and was selected as B-class singer. Same year, during a live radio talk, where Hafiz was invited as a guest, the host asked him how many songs he remembers. Around 900, Hafiz replied. “But that was not true,” Hafiz says with a sense of guilt since visible in his otherwise melodious voice. “When the host asked me this question, he himself raised nine fingers gesturing me to answer 900,” recalls Hafiz. “I was just a fresher then. How could I remember 900 songs? I only had a few songs in my kits then.” After the show was over Hafiz remained sunk under the burden of guilt for many days. “It haunted me that I have cheated thousands of listeners,” recalls Hafiz. The guilt took toll on Hafiz’s performance and he began doubting his abilities as a singer. “Disturbed,” recalls Hafiz, “I approached Mohammad Sultan Matoo, a famous Sarangi Nawaaz, for help.” Matoo motivated Hafiz to move on and focus on his singing. “We are friends since then.” Then came the time when Hafiz used to get Rs 2500 for a programme on Radio Kashmir or Doordarshan. “Credit goes to my teacher Ghulam Mohammad Dar for introducing me to the professional music,” says Hafiz.