O door ke musafir ham ko bhi sath le-le_Udan Khatola_Nimmi& Dilip Kumar_Rafi_Shakeel_Naushad_a tri.. скачать в хорошем качестве

O door ke musafir ham ko bhi sath le-le_Udan Khatola_Nimmi& Dilip Kumar_Rafi_Shakeel_Naushad_a tri..

Song : O Door ke musafir hum ko bhi sath le le .. Singer : Mohammad Rafi. Film : Udan Khatola (1955) Cast : Dilip Kumar, Nimmi, Jeevan, Surya Kumari, Nawab, Agha, Roop Mala, Amar, Tun Tun. Music Director : Naushad Ali. Lyricist : Shakeel Badayuni. Director : S.U.Sunny. Lyrics :- chale aj tum jahaan se huyi zindagi paraayi tumhe mil gaya thikaana hamen maut bhi naa aayi O door ke musaafir hamko bhi saath lele re hamko bhi sath le le ham rah gaye akele O door ke musaafir hamko bhi saath lele re hamko bhi sath le le toone wo de diya gham be maut mar gaye ham dil uth gaya jahaan se le chal hamen yahaan se le chal hamen yahaan se kis kaam ki ye duniya jo zindagi se khele re hamko bhi saath lele ham rah gaye akele o door ke musafir hamko bhi saath lele re ham ko bhi saath lele ham rah gaye akele sooni hai dil ki raahen khaamosh hain nigaahein naakaam hasraton ka uthne ko hai janaaza uthne ko hai janaaza chaaron taraf lage hain barbaadiyon ke mele re hamko bhi saath lele ham rah gaye akele o door ke musafir hamko bhi saath lele re ham ko bhi saath lele ham rah gaye akele o door ke musafir ham ko bhi saath lele ham rah gaye akele.. Mohammad Rafi (Urdu: محمد رفیع , Hindi : मोहम्मद रफी; December 24, 1924 -- July 31, 1980), was an Indian playback singer whose career spanned four decades. He was awarded National Award and 6 Filmfare Awards. In 1967, he was honoured with the Padma Shri awarded by the Government of India When I realise that this song is over 57 years old, I wonder how such a gem of the song was recorded almost flawlessly despite the recording technology those days being far too primitive. And kudos to technology that these gems are still available for the listening (and viewing ) pleasure of the future generations. An article in Times of India, published on 24 July 2010 sums up his voice as, "If there are 101 ways of saying 'I love you' in a song, Mohammed Rafi knew them all. The awkwardness of puppy love, the friskiness of teen romance, the philosophy of unrequited love and the anguish of heartbreak - he could explore every crevice of ardour. It wasn't just love, his voice could capture the navras of life - a failed poet's melancholy, a fiery unionist's vim, a debt-ridden farmer's despair, really anybody at all. Rafi, whose career spanned nearly four decades, was a singer for every season and every reason.