"(Back Home Again in) Indiana" (1917 early vocal version) Sterling Trio Henry Burr ALL LYRICS ODJB скачать в хорошем качестве

"(Back Home Again in) Indiana" (1917 early vocal version) Sterling Trio Henry Burr ALL LYRICS ODJB

The Sterling Trio sings "(Back Home Again in) Indiana" on Victor 18251. The singers are Henry Burr, Albert Campbell, and John H. Meyer. This was recorded on March 22, 1917. The song is by Ballard MacDonald and James F. Hanley. I view "(Back Home Again In) Indiana" as the most durable song of the 20th century. It is PERFECT. It makes for a great vocal recording--as we hear here. It became a jazz standard because it was recorded around this time by the Original Dixieland Jass Band for Columbia. When Charlie Parker and Miles Davis recorded "Donna Lee" during the peak years of bebop, they based the tune on "(Back Home Again In) Indiana." By this time traditional jazz artists such as Eddie Condon had adopted "Indiana." I have always been a wand'rer Over land and sea Yet a moonbeam on the water Casts a spell o'er me A vision fair I see Again I seem to be Back home again in Indiana, And it seems that I can see The gleaming candlelight, still shining bright, Through the sycamores for me. The new-mown hay sends all its fragrance From the fields I used to roam. When I dream about the moonlight on the Wabash, Then I long for my Indiana home. Fancy paints on mem'ry's canvas Scenes that we hold dear We recall them in days after Clearly they appear And often times I see A scene that's dear to me The vocal trio known as the Sterling Trio usually consisted of Henry Burr, Albert Campbell, and John H. Meyer. The group performed regularly as part of the Eight Victor Artists concert troupe and made many recordings from 1916 to 1925. The three singers were members of the Peerless Quartet, and it is possible that the three made their first Sterling Trio records because the fourth member of the Peerless (at that time it was baritone Arthur Collins) was unavailable at times. The three voices blended beautifully, and for a decade Sterling Trio records sold well. Representative titles include "Hawaiian Butterfly" (Victor 18272, 1917), "Where the Morning Glories Grow" (with Elizabeth Spencer, Victor 18403, 1918), and "That Tumble-Down Shack in Athlone" (Columbia A2698, 1919). The trio sings "Love's Old Sweet Song" during "A Miniature Concert" (Victor 35753), an experimental recording made on February 26, 1925, at the beginning of the electric era. Billy Murray, who serves as master of ceremonies, introduces the trio to listeners as the "the Nickel-plated--oh, pardon me, the Sterling Trio." For a few years the trio worked for nearly all companies but from late 1920 to late 1925 the singers were exclusive to Victor. "Down Deep In An Irishman's Heart" (Victor 19749), the group's last recording with Burr still a member, was made on July 2, 1925. A Sterling Trio recorded for Gennett in late 1925. Campbell and Meyer remained but Burr was replaced by either Charles Harrison or Henry Moeller.