 
                                У нас вы можете посмотреть бесплатно I read THE FIRST DECADE OF DRAG RACE AND THE LAST CENTURY OF QUEER LIFE so You Don't Have To или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
                        Если кнопки скачивания не
                            загрузились
                            НАЖМИТЕ ЗДЕСЬ или обновите страницу
                        
                        Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
                        страницы. 
                        Спасибо за использование сервиса ClipSaver.ru
                    
After my last book review, I went to research if there are any other Drag Race-specific books that I could read and review for the channel and I was recommended the book Legendary Children: The First Decade of RuPaul’s Drag Race and the Last Century of Queer Life, by Tom Fitzgerald and Lorenzo Marquez. To be fair, it is an interesting read, and a good starting point for further reading on Queer History in the US, but did it need to exist? Did it need to be marketed as a book about the first decade of Drag Race first, and a story about important queer figures of the 20th century second? A book about Drag Race, this is not! Join this channel to get access to perks: / @uckeylee Queens talked about in the video: Aja, Alaska, Alyssa Edwards, Chad Michaels, Coco Montrese, Delta Work, Derrick Barry, Ivy Winters, Jade Jolie, Jasmine Masters, Jessica Wild, Kennedy Davenport, Latrice Royale, Mariah Paris Balenciaga, Mimi Imfurst, Onya Nurve, Sasha Velour, Shangela, Tyra Sanchez, Willam 00:00 - Intro: Mini-Review 03:02 - CHANNEL MEMBERS 03:29 - Not everyone should write books 07:42 - The book's structure 09:33 - Well, Tamar, have you ever watched the show? 18:07 - Good talking points 22:25 - Lack of proper judging 25:35 - References I missed 27:36 - The authors' hypocrisy, double standards and pandering 29:59 - Ѕехploitation is subversive... I guess? 32:59 - Conclusion